The Project Gutenberg EBook of Georgie, by Jacob Abbott

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Georgie

Author: Jacob Abbott

Release Date: September 12, 2006 [EBook #19256]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK GEORGIE ***




Produced by Barbara Tozier, Joseph R. Hauser, Bill Tozier
and the Online Distributed Proofreading Team at
http://www.pgdp.net





[Illustration: THE BRIDGE]




THE

ROLLO STORY BOOKS

BY

JACOB ABBOTT

GEORGIE.

Boston:
PHILLIPS, SAMPSON & COMPANY,
PUBLISHERS.




Entered according to Act of Congress, in the year 1857, by
PHILLIPS, SAMPSON & CO.,
In the Clerk's Office of the District Court of Massachusetts.



CONTENTS.

GEORGIE.

THE LITTLE LANDING.

GEORGIE'S MONEY.

TWO GOOD FRIENDS.

A LECTURE ON PLAYTHINGS.

THE YOUNG DRIVERS.

THE STORY OF SHALLOW, SELFISH, AND WISE.



GEORGIE.




THE LITTLE LANDING.


A short distance from where Rollo lives, there is a small, but very
pleasant house, just under the hill, where you go down to the stone
bridge leading over the brook. There is a noble large apple tree on one
side of the house, which bears a beautiful, sweet, and mellow kind of
apple, called golden pippins. A great many other trees and flowers are
around the house, and in the little garden on the side of it towards the
brook. There is a small white gate that leads to the house, from the
road; and there is a pleasant path leading right out from the front
door, through the garden, down to the water. This is the house that
Georgie lives in.

One evening, just before sunset, Rollo was coming along over the stone
bridge, towards home. He stopped a moment to look over the railing,
down into the water Presently he heard a very sweet-toned voice calling
out to him,

"Rol-lo."

Rollo looked along in the direction in which the sound came. It was from
the bank of the stream, a little way from the road, at the place where
the path from Georgie's house came down to the water. The brook was
broad, and the water pretty smooth and still here; and it was a place
where Rollo had often been to sail boats with Georgie. There was a
little smooth, sandy place on the shore, at the foot of the path, and
they used to call it Georgie's landing; and there was a seat close by,
under the bushes.

Rollo thought it was Georgie's voice that called him, and in a minute,
he saw him sitting on his little seat, with his crutches by his side.
Georgie was a sick boy. He could not walk, but had to sit almost all
day, at home, in a large easy chair, which his father had bought for
him. In the winter, his chair was established in a particular corner, by
the side of the fire, and he had a little case of shelves and drawers,
painted green, by the side of him. In these shelves and drawers he had
his books and playthings,--his pen and ink,--his paint-box, brushes and
pencils,--his knife, and a little saw,--and a great many things which he
used to make for his amusement. Then, in the summer, his chair, and his
shelves and drawers, were moved to the end window, which looked out upon
the garden and brook. Sometimes, when he was better than usual, he could
move about a little upon crutches; and, at such times, when it was
pleasant, he used to go out into the garden, and down, through it, to
his landing, at the brook.

Georgie had been sick a great many years, and when Rollo and Jonas first
knew him, he used to be very sad and unhappy. It was because the poor
little fellow had nothing to do. His father had to work pretty hard to
get food and clothing for his family; he loved little Georgie very much,
but he could not buy him many things. Sometimes people who visited him,
used to give him playthings, and they would amuse him a little while,
but he soon grew tired of them, and had them put away. It is very hard
for any body to be happy who has not any thing to do.

It was Jonas that taught Georgie what to do. He lent him his knife, and
brought him some smooth, soft, pine wood, and taught him to make
wind-mills and little boxes. Georgie liked this very much, and used to
sit by his window in the summer mornings, and make playthings, hours at
a time. After he had made several things, Jonas told the boys that lived
about there, that they had better buy them of him, when they had a few
cents to spend for toys; and they did. In fact, they liked the little
windmills, and wagons, and small framed houses that Georgie made, better
than sugar-plums and candy. Besides, they liked to go and see Georgie;
for, whenever they went to buy any thing of him, he looked so contented
and happy, sitting in his easy chair, with his small and slender feet
drawn up under him, and his work on the table by his side.

Then he was a very beautiful boy too. His face was delicate and pale,
but there was such a kind and gentle expression in his mild blue eye,
and so much sweetness in the tone of his voice, that they loved very
much to go and see him. In fact, all the boys were very fond of Georgie.




GEORGIE'S MONEY.


Georgie, at length, earned, in this way, quite a little sum of money. It
was nearly all in cents; but then there was one fourpence which a lady
gave him for a four-wheeled wagon that he made. He kept this money in a
corner of his drawer, and, at last, there was quite a handful of it.

One summer evening, when Georgie's father came home from his work, he
hung up his hat, and came and sat down in Georgie's corner, by the side
of his little boy. Georgie looked up to him with a smile.

"Well, father," said he, "are you tired to-night?"

"You are the one to be tired, Georgie," said he, "sitting here alone all
day."

"Hold up your hand, father," said Georgie, reaching out his own at the
same time, which was shut up, and appeared to have something in it.

"Why, what have you got for me?" said his father.

"Hold fast all I give you," replied he; and he dropped the money all
into his father's hand, and shut up his father's fingers over it.

"What is all this?" said his father.

"It is my money," said he, "for you. It is 'most all cents, but then
there is _one_ fourpence."

"I am sure, I am much obliged to you, Georgie, for this."

"O no," said Georgie, "it's only a _little_ of what you have to spend
for me."

Georgie's father took the money, and put it in his pocket, and the next
day he went to Jonas, and told him about it, and asked Jonas to spend it
in buying such things as he thought would be useful to Georgie; either
playthings, or tools, or materials to work with.

Jonas said he should be very glad to do it, for he thought he could buy
him some things that would help him very much in his work. Jonas carried
the money into the city the next time he went, and bought him a small
hone to sharpen his knife, a fine-toothed saw, and a bottle of black
varnish, with a little brush, to put it on with. He brought these
things home, and gave them to Georgie's father; and he carried them into
the house, and put them in a drawer.

That evening, when Georgie was at supper, his father slyly put the
things that Jonas had bought on his table, so that when he went back,
after supper, he found them there. He was very much surprised and
pleased. He examined them all very particularly, and was especially glad
to have the black varnish, for now he could varnish his work, and make
it look much more handsome. The little boxes that he made, after this,
of a bright black outside, and lined neatly with paper within, were
thought by the boys to be elegant.

He could now earn money faster, and, as his father insisted on having
all his earnings expended for articles for Georgie's own use, and Jonas
used to help him about expending it, he got, at last, quite a variety of
implements and articles. He had some wire, and a little pair of pliers
for bending it in all shapes, and a hammer and little nails. He had also
a paint-box and brushes, and paper of various colors, for lining boxes,
and making portfolios and pocket-books; and he had varnishes, red,
green, blue, and black. All these he kept in his drawers and shelves,
and made a great many ingenious things with them.

So Georgie was a great friend of both Rollo and Jonas, and they often
used to come and see him, and play with him; and that was the reason
that Rollo knew his voice so well, when he called to him from the
landing, when Rollo was standing on the bridge, as described in the
beginning of this story.




TWO GOOD FRIENDS.


Rollo ran along to the end of the bridge, clambered down to the water's
edge, went along the shore among the trees and shrubbery, until he came
to the seat where Georgie was sitting. Georgie asked him to sit down,
and stay with him; but Rollo said he must go directly home; and so
Georgie took his crutches, and they began to walk slowly together up the
garden walk.

"Where have you been, Rollo?" said Georgie.

"I have been to see my cousin James, to ask him to go to the city with
us to-morrow."

"Are you going to the city?"

"Yes; uncle George gave James and I a half a dollar apiece, the other
day; and mother is going to carry us into the city to-morrow to buy
something with it."

"Is Jonas going with you?"

"Yes," said Rollo. "He is going to drive. We are going in our carryall."

"I wish you would take some money for me, then, and get Jonas to buy me
something with it."

"Well, I will," said Rollo. "What shall he buy for you?"

"O, he may buy any thing he chooses."

"Yes, but if you do not tell him what to buy, he may buy something you
have got already."

"O, Jonas knows every thing I have got as well as I do."

Just then they came up near the house, and Georgie asked Rollo to look
up at the golden pippin tree, and see how full it was.

"That is my branch," said he.

He pointed to a large branch which came out on one side, and which hung
down loaded with fruit. It would have broken down, perhaps, if there had
not been a crotched pole put under it, to prop it up.

"But all the apples on your branch are not golden pippins," said Rollo.
"There are some on it that are red. What beautiful red apples!"

"Yes," said Georgie. "Father grafted that for me, to make it bear
rosy-boys. I call the red ones my rosy-boys."

"Grafted?" said Rollo; "how did he graft it?"

"O," said Georgie, "I do not know exactly. He cut off a little branch
from a rosy-boy tree, and stuck it on somehow, and it grew, and bears
rosy-boys still."

Rollo thought this was very curious; Georgie told him he would give him
an apple, and that he might have his choice--a pippin or a rosy-boy.

Rollo hesitated, and looked at them, first at one, and then at another;
but he could not decide. The rosy-boys had the brightest and most
beautiful color, but then the pippins looked so rich and mellow, that he
could not choose very easily; and so Georgie laughed, and told him he
would settle the difficulty by giving him one of each.

"So come here," said he, "Rollo, and let me lean on you, while I knock
them down."

So Rollo came and stood near him, while Georgie leaned on him, and with
his crutch gave a gentle tap to one of each of his kinds of apples, and
they fell down upon the soft grass, safe and sound.

[Illustration]

They then went into the house, and Georgie gave Rollo his money, wrapped
up in a small piece of paper; and then Rollo, bidding him good by, went
out of the little white gate, and walked along home.

The next morning, soon after breakfast, Jonas drove the carryall up to
the front door, and Rollo and his mother walked out to it. Rollo's
mother took the back seat, and Rollo and Jonas sat in front, and they
drove along.

They called at the house where James lived, and found him waiting for
them on the front steps, with his half dollar in his hand.

He ran into the house to tell his mother that the carryall had come, and
to bid her good morning, and then he came out to the gate.

"James," said Rollo, "you may sit on the front seat with Jonas, if you
want to."

James said he should like to very much; and so Rollo stepped over
behind, and sat with his mother. This was kind and polite; for boys all
like the front seat when they are riding, and Rollo therefore did right
to offer it to his cousin.




A LECTURE ON PLAYTHINGS.


After a short time, they came to a smooth and pleasant road, with trees
and farmhouses on each side; and as the horse was trotting along
quietly, Rollo asked his mother if she could not tell them a story.

"I cannot tell you a story very well, this morning, but I can give you a
lecture on playthings, if you wish."

"Very well, mother, we should like that," said the boys.

They did not know very well what a lecture was, but they thought that
any thing which their mother would propose would be interesting.

"Do you know what a lecture is?" said she.

"Not exactly," said Rollo.

"Why, I should explain to you about playthings,--the various kinds,
their use, the way to keep them, and to derive the most pleasure from
them, &c. Giving you this information will not be as _interesting_ to
you as to hear a story; but it will be more _useful_, if you attend
carefully, and endeavor to remember what I say."

The boys thought they should like the lecture, and promised to attend.
Rollo said he would remember it all; and so his mother began.

"The value of a plaything does not consist in itself, but in the
pleasure it awakens in your mind. Do you understand that?"

"Not very well," said Rollo.

"If you should give a round stick to a baby on the floor, and let him
strike the floor with it, he would be pleased. You would see by his
looks that it gave him great pleasure. Now, where would this pleasure
be,--in the stick, or in the floor, or in the baby?"

"Why, in the baby," said Rollo, laughing.

"Yes; and would it be in his body, or in his mind?"

"In his face," said James.

"In his eyes," said Rollo.

"You would see the _signs of it_ in his face and in his eyes, but the
feeling of pleasure would be in his mind. Now, I suppose you understand
what I said, that the value of the plaything consists in the pleasure it
can awaken in the mind."

"Yes, mother," said Rollo.

"There is your jumping man," said she; "is that a good plaything?"

"Yes," said Rollo, "my _kicker_. But I don't care much about it. I don't
know where it is now."

"What was it?" said James. "_I_ never saw it."

"It was a pasteboard man," said his mother; "and there was a string
behind, fixed so that, by pulling it, you could make his arms and legs
fly about."

"Yes," said Rollo, "I called him my _kicker_."

"You liked it very much, when you first had it."

"Yes," said Rollo, "but I don't think it is very pretty now."

"That shows what I said was true. When you first had it, it was new, and
the sight of it gave you pleasure; but the pleasure consisted in the
novelty and drollery of it, and after a little while, when you became
familiar with it, it ceased to give you pleasure, and then you did not
value it. I found it the other day lying on the ground in the yard, and
took it up and put it away carefully in a drawer."

"But if the value is all gone, what good does it do to save it?" said
Rollo.

"The value to _you_ is gone, because you have become familiar with it,
and so it has lost its power to awaken feelings of pleasure in you. But
it has still power to give pleasure to other children, who have not seen
it, and I kept it for them."

"I should like to see it, very much," said James. "I never saw such a
one."

"I will show it to you some time. Now, this is one kind of
plaything,--those which please by their _novelty_ only. It is not
generally best to buy such playthings, for you very soon get familiar
with them, and then they cease to give you pleasure, and are almost
worthless."

"Only we ought to keep them, if we have them, to show to other boys,"
said Rollo.

"Yes," said his mother. "You ought never to throw them away, or leave
them on the floor, or on the ground."

"O, the little fool," said Rollo suddenly.

His mother and James looked up, wondering what Rollo meant. He was
looking out at the side of the carryall, at something about the wheel.

"What is it," said his mother.

"Why, here is a large fly trying to light on the wheel, and every time
his legs touch it, it knocks them away. See! See!"

"Yes, but you must not attend to him now. You must listen to my lecture.
You promised to give your attention to me."

So James and Rollo turned away from the window, and began to listen
again.

"I have told you now," said she, "of one kind of playthings--those that
give pleasure from their _novelty_ only. There is another kind--those
that give you pleasure by their _use_;--such as a doll, for example."

"How, mother? Is a doll of any _use_?"

"Yes, in one sense; that is, the girl who has it, _uses_ it continually.
Perhaps she admired the _looks_ of it, the first day it was given to
her; but then, after that, she can _use_ it in so many ways, that it
continues to afford her pleasure for a long time. She can dress and
undress it, put it to bed, make it sit up for company, and do a great
many other things with it. When she gets tired of playing with it one
day, she puts it away, and the next day she thinks of something new to
do with it, which she never thought of before. Now, which should you
think the pleasure you should obtain from a ball, would arise from, its
_novelty_, or its _use_?"

"Its _use_," said the boys.

"Yes," said the mother. "The first sight of a ball would not give you
any very special pleasure. Its value would consist in the pleasure you
would take in playing with it.

"Now, it is generally best to buy such playthings as you can use a great
many times, and in a great many ways; such as a top, a ball, a knife, a
wheelbarrow. But things that please you only by their _novelty_, will
soon lose all their power to give you pleasure, and be good for nothing
to you. Such, for instance, as jumping men, and witches, and funny
little images. Children are very often deceived in buying their
playthings; for those things which please by their novelty only, usually
please them very much for a few minutes, while they are in the shop,
and see them for the first time; while those things which would last a
long time, do not give them much pleasure at first.

"There is another kind of playthings I want to tell you about a little,
and then my lecture will be done. I mean playthings which give _you_
pleasure, but give _other persons_ pain. A drum and a whistle, for
example, are disagreeable to other persons; and children, therefore,
ought not to choose them, unless they have a place to go to, to play
with them, which will be out of hearing. I have known boys to buy masks
to frighten other children with, and bows and arrows, which sometimes
are the means of putting out children's eyes. So you must consider, when
you are choosing playthings, first, whether the pleasure they will give
you will be from the _novelty_ or the _use_; and, secondly, whether, in
giving _you_ pleasure, they will give _any other persons_ pain.

"This is the end of the lecture. Now you may rest a little, and look
about, and then I will tell you a short story."




THE YOUNG DRIVERS.


They came, about this time, to the foot of a long hill, and Jonas said
he believed that he would get out and walk up, and he said James might
drive the horse. So he put the reins into James's hands, and jumped out.
Rollo climbed over the seat, and sat by his side. Presently James saw a
large stone in the road, and he asked Rollo to see how well he could
drive round it; for as the horse was going, he would have carried one
wheel directly over it. So he pulled one of the reins, and turned the
horse away; but he contrived to turn him out just far enough to make the
_other_ wheel go over the stone. Rollo laughed, and asked him to let him
try the next time; and James gave him the reins; but there was no other
stone till they got up to the top of the hill.

Then James said that Rollo might ride on the front seat now, and when
Jonas got in, he climbed back to the back seat, and took his place by
the side of Rollo's mother.

"Come, mother," then said Rollo, "we are rested enough now: please to
begin the story."

"Very well, if you are all ready."

So she began as follows:--




THE STORY Of SHALLOW, SELFISH, AND WISE.


     Once there were three boys going into town to buy some playthings:
     their names were Shallow, Selfish, and Wise. Each had half a
     dollar. Shallow carried his in his hand, tossing it up in the air,
     and catching it, as he went along. Selfish kept teasing his mother
     to give him some more money: half a dollar, he said, was not
     enough. Wise walked along quietly, with his cash safe in his
     pocket.

     Presently Shallow missed catching his half dollar, and--chink--it
     went, on the sidewalk, and it rolled along down into a crack under
     a building. Then he began to cry. Selfish stood by, holding his own
     money tight in his hands, and said he did not pity Shallow at all;
     it was good enough for him; he had no business to be tossing it up.
     Wise came up, and tried to get the money out with a stick, but he
     could not. He told Shallow not to cry; said he was sorry he had
     lost his money, and that he would give him half of his, as soon as
     they could get it changed at the shop.

     So they walked along to the toy-shop.

     Their mother said that each one might choose his own plaything; so
     they began to look around on the counter and shelves.

     After a while, Shallow began to laugh very loud and heartily at
     something he found. It was an image of a grinning monkey. It looked
     very droll indeed. Shallow asked Wise to come and see. Wise laughed
     at it too, but said he should not want to buy it, as he thought he
     should soon get tired of laughing at any thing, if it was ever so
     droll.

     Shallow was sure that he should never get tired of laughing at so
     very droll a thing as the grinning monkey; and he decided to buy
     it, if Wise would give him half of his money; and so Wise did.

     Selfish found a rattle, a large, noisy rattle, and went to
     springing it until they were all tired of hearing the noise.

     "I think I shall buy this," said he. "I can make believe that there
     is a fire, and can run about springing my rattle, and crying,
     'Fire! Fire!' or I can play that a thief is breaking into a store,
     and can rattle my rattle at him, and call out, 'Stop thief!'"

     "But that will disturb all the people in the house," said Wise.

     "What care I for that?" said Selfish.

     Selfish found that the price of his rattle was not so much as the
     half dollar; so he laid out the rest of it in cake, and sat down on
     a box, and began to eat it.

     Wise passed by all the images and gaudy toys, only good to look at
     a few times, and chose a soft ball, and finding that that did not
     take all of his half of the money, he purchased a little morocco
     box with an inkstand, some wafers, and one or two short pens in
     it. Shallow told him that was not a plaything; it was only fit for
     a school; and as to his ball, he did not think much of that.

     Wise said he thought they could all play with the ball a great many
     times, and he thought, too, that he should like his little inkstand
     rainy days and winter evenings.

     So the boys walked along home. Shallow stopped every moment to
     laugh at his monkey, and Selfish to spring his rattle; and they
     looked with contempt on Wise's ball, which he carried quietly in
     one hand, and his box done up in brown paper in the other.

     When they got home, Shallow ran in to show his monkey. The people
     smiled a little, but did not take much notice of it; and, in fact,
     it did not look half so funny, even to himself, as it did in the
     shop. In a short time, it did not make him laugh at all, and then
     he was vexed and angry with it. He said he meant to go and throw
     the ugly old baboon away; he was tired of seeing that same old grin
     on his face all the time. So he went and threw it over the wall.

     Selfish ate his cake up, on his way home. He would not give his
     brothers any, for he said they had had their money as well as he.
     When he got home, he went about the house, up and down, through
     parlor and chamber, kitchen and shed, springing his rattle, and
     calling out, "Stop thief! Stop thief!" or "Fire! Fire!" Every body
     got tired, and asked him to be still; but he did not mind, until,
     at last, his father took his rattle away from him, and put it up on
     a high shelf.

     Then Selfish and Shallow went out and found Wise playing
     beautifully with his ball in the yard; and he invited them to play
     with him. They would toss it up against the wall, and learn to
     catch it when it came down; and then they made some bat-sticks, and
     knocked it back and forth to one another, about the yard. The more
     they played with the ball, the more they liked it, and as Wise was
     always very careful not to play near any holes, and to put it away
     safe when he, had done with it, he kept it a long time, and gave
     them pleasure a great many times all summer long.

     And then his inkstand box was a great treasure. He would get it out
     in the long winter evenings, and lend Selfish and Shallow, each,
     one of his pens; and they would all sit at the table, and make
     pictures, and write little letters, and seal them with small bits
     of the wafers. In fact, Wise kept his inkstand box safe till he
     grew up to be a man.

     That is the end of the story.




THE TOY-SHOP.


"I wish I could get an inkstand box," said Rollo, when the story was
finished.

"I think he was very foolish to throw away his grinning monkey," said
James "I wish I could see a grinning monkey."

They continued talking about this story some time, and at length they
drew nigh to the city. They drove to a stable, where Jonas had the horse
put up, and then they all walked on in search of a toy-shop.

They passed along through one or two streets, walking very slowly, so
that the boys might look at the pictures and curious things in the shop
windows. At length they came to a toy-shop, and all went in.

They saw at once a great number and variety of playthings exhibited to
view. All around the floor were arranged horses on wheels, little carts,
wagons, and baskets. The counter had a great variety of images and
figures,--birds that would peep, and dogs that would bark, and drummers
that would drum--all by just turning a little handle. Then the shelves
and the window were filled with all sorts of boxes, and whips, and
puzzles, and tea-sets, and dolls, dressed and not dressed. There were
bows and arrows, and darts, and jumping ropes, and glass dogs, and
little rocking-horses, and a thousand other things.

When the boys first came in, there was a little girl standing by the
counter with a small slate in her hand. She looked like a poor girl,
though she was neat and tidy in her dress. She was talking with the
shopman about the slate.

"Don't you think," said she, "you could let me have it for ten cents?"

"No," said he, "I could not afford it for less than fifteen. It cost me
more than ten."

The little girl laid the slate down, and looked disappointed and sad.
Rollo's mother came up to her, took up the slate, and said,

"I should think you had better give him fifteen cents. It is a very good
slate. It is worth as much as that, certainly."

"Yes, madam, so I tell her," said the shopman.

"But I have not got but ten cents," said the little girl.

"Have not you?" said Rollo's mother. She stood still thinking a moment,
and then she asked the little girl what her name was.

She said it was Maria.

She asked her what she wanted the slate for; and Maria said it was to do
sums on, at school. She wanted to study arithmetic, and could not do so
without a slate.

Jonas then came forward, and said that he should like to give her five
cents of Georgie's money, and that, with the ten she had, would be
enough. He said that Georgie had given him authority to do what he
thought best with his money, and he knew, if Georgie was here, he would
wish to help the little girl.

Rollo and James were both sorry they had not thought of it themselves;
and, as soon as Jonas mentioned it, they wanted to give some of their
money to the girl; but Jonas said he knew that Georgie would prefer to
do it. At last, however, it was agreed that Rollo and James should
furnish one cent each, and Georgie the rest. This was all agreed upon
after a low conversation by themselves in a corner of the store; and
then Jonas came forward, and told the shopman that they were going to
pay the additional five cents, and that he might let the girl have the
slate. So Jonas paid the money, and it was agreed that Rollo and James
should pay him back their share, when they got their money changed. The
boys were very much pleased to see the little girl go away so happy with
her slate in her hand. It was neatly done up in paper, with two pencils
which the shopman gave her, done up inside.

After Maria was gone, the boys looked around the shop, but could not
find any thing which exactly pleased them; or at least they could not
find any thing which pleased them so much more than any thing else, that
they could decide in favor of it. So they concluded to walk along, and
look at another shop.

They succeeded at last in finding some playthings that they liked, and
Jonas bought a variety of useful things for Georgie. On their way home,
the carryall stopped at the house where Lucy lived, and Rollo's mother
left him and James there, to show Lucy their playthings.

One of the things they bought was a little boat with two sails, and they
went down behind the house to sail it. The other playthings and books
they carried down too, and had a fine time playing with them, with Lucy
and another little girl who was visiting her that afternoon.



Transcriber's Notes:
Left one instance of wind-mills and one of windmills






End of the Project Gutenberg EBook of Georgie, by Jacob Abbott

*** END OF THIS PROJECT GUTENBERG EBOOK GEORGIE ***

***** This file should be named 19256.txt or 19256.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/1/9/2/5/19256/

Produced by Barbara Tozier, Joseph R. Hauser, Bill Tozier
and the Online Distributed Proofreading Team at
http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

*** END: FULL LICENSE ***