Project Gutenberg's The Bibliography of Walt Whitman, by Frank Shay This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Bibliography of Walt Whitman Author: Frank Shay Release Date: March 25, 2010 [EBook #31781] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE BIBLIOGRAPHY OF WALT WHITMAN *** Produced by Juliet Sutherland, Tamise Totterdell and the Online Distributed Proofreading Team at https://www.pgdp.net The Whitman Bibliography _This edition of the WHITMAN BIBLIOGRAPHY is limited to five hundred numbered copies, of which this is No. 288_ [Illustration: Walt Whitman] THE BIBLIOGRAPHY OF WALT WHITMAN BY FRANK SHAY NEW YORK FRIEDMANS' 1920 Copyright, 1920, by Friedmans'. To the memory of HORACE TRAUBEL 1856-1919 Poet, Philosopher, Comrade FOREWORD "_Camerado, this is no book; Who touches this touches a man._" Walt Whitman's relation to his work was more personal than that of most poets. He was, in a larger sense, a man of one book, and this book, issued and reissued at various periods of the poet's life, was, at each issuance, the latest expression of his development. The infinite care he gave to his work; the continual study of each poem resulted in changes in each edition. The book literally grew with the man and in the present authorized edition of today we have his final and complete utterance. Whitman's early fugitive work presents to the student a curious anomaly. It gives no intimation of the great nature that later produced Leaves of Grass and Democratic Vistas. In quality it was beneath the standards of the nickle-dreadfuls of yesterday. Bearing such titles as "One Wicked Impulse"; "Revenge and Requital, Tale of a Murderer Escaped"; "The Angel of Tears"; (many of them are in the Prose Works) they appealed to a class to whom thought was anathema and reading solely a pastime. They are didactic to the extreme, presenting the horrible results of sin and the corresponding rewards of virtue. Their value as literature, however, does not come within the province of the bibliographer. The care Whitman bestowed upon his writings was carried to the mechanical production of his books. Each edition was manufactured under his supervision and when completed represented the latest and highest achievements in commercial bookmaking. Further, he took such an intense personal interest in the sale of his books that he invariably knew at all times the number of copies sold and the number on hand. The first edition comprised three distinct variations. The first of these, in paper wrappers, are undoubtedly the result of Whitman's impatience at the delays of the binder. Considering that he had a press at his disposal, it is not assuming too much to suggest that while awaiting deliveries from the binder he printed the jackets himself for immediate use. This is the only way to account for the existence of the paper copies. Further proof that this contention is correct is that each copy bears an inscription in Whitman's holograph. Though Whitman insisted that "the entire edition sold readily" there is little doubt he meant circulated. In fact, they were circulated so rapidly a new edition was required within ten months. This second edition was a dumpy sexto-decimo of nearly four hundred pages. Twenty new poems were added, one of the earlier poems was dropped and all were retouched. This edition did sell rapidly and only fear of public criticism prevented the publishers from reissuing the book. The failure to find a firm to stand sponsor for his book discouraged Whitman to the extent of planning to go West and pioneer. His plans for this venture were completed when Thayer and Eldridge opened negotiations for the book's republication with any new material available. This offer took the poet to Boston to oversee the work and in May, 1860, a substantial volume, with many new poems came from the press. The book went through two editions, a total of between thirty-five hundred and four thousand copies when the publishers failed. The plates were sold at auction and went to a notorious pirate, who, within the next ten years, published and sold over ten thousand copies. Whitman had no control over these crimped editions and forever after they were a torment to him. It was not until after the Civil War that a new authentic edition was published--again without a publisher. In later issues of this edition Whitman bound in the sheets of "Drum-Taps" and "When Lilacs Last in the Dooryard Bloom'd," and in still later issues, "Songs Before Parting." The total number of copies issued is not known but must have been quite small owing to the effect of the lower priced pirated edition. The fifth edition was published in Washington and attracted little or no attention save in England where the demand for complete and unabridged copies was fostered by Rossetti's emasculated edition. The English demand was so great that Whitman was compelled to reprint one or two new editions. He got around the expense of new plates by inserting "intercallations"--poems printed on separate slips of paper and tipped in. In 1881, the next Boston edition was issued. With a recognized publisher of Osgood's standing there should have been no question of the final success of "Leaves of Grass." Osgood published all the work of the New Englanders; Longfellow, Lowell, Emerson and Whittier. Whitman was in good company save that the Society for the Suppression of Vice considered "Leaves of Grass" to be bad company and through District Attorney Stevens secured its suppression. Osgood promptly withdrew the book and gladly turned over to the author all unsold and unbound copies and the plates. The plates went to Rees, Welsh and Company, of Philadelphia, who brought out an edition and then dropped from sight. David McKay published an edition from the same plates. During this time certain "special" and "author's" editions were published by Whitman as his own publisher. After Whitman's death Small, Maynard & Company, of Boston, became the authorized publishers. They were followed in turn by D. Appleton and Company, and Mitchell Kennerley. At this writing Messrs. Doubleday, Page & Co. are the authorized publishers of "Leaves of Grass," and the "Prose Works." Any bibliography of Whitman's Works can be called but an attempt. His temperamental handling of the plates of the various editions of "Leaves of Grass" resulted in many curious imprints. There may be omissions, I grant, but not serious ones. The work I undertook was a clearing up of the fog which hung about the various Boston editions and setting cataloguers right on the first edition. I must, at this point, thank Anne Montgomerie Traubel, of Camden, Mr. Walter Bartley Quinlan and Mr. Alfred F. Goldsmith, of New York, and Mr. Henry S. Saunders, of Toronto, Canada, for valuable suggestions and comparison of notes, and Mr. M. M. Breslow for permission to use his very excellent collection of Whitmaniana as a basis for this bibliography. FRANK SHAY. New York City July, 1920. NOTE The arrangement is chronological, the only practicable method. In listing titles and imprints I have sought to follow the typography and punctuation of the originals. Where this was not practicable I have inserted punctuation marks to give the matter coherence. Where I have interpolated remarks or descriptions within the titles I have enclosed them in brackets to distinguish them from Whitman's parenthesis. 1842 The New World. Extra Series. Number 34. New York, November, 1842. Original Temperance Novel. Franklin Evans; or The Inebriate. A Tale of the Times. By Walter Whitman. Royal octavo, pp. 31, uncut. Published as an extra to "_The New World_." The last page (32) contains advertisement: "New Works in Press." Written during Whitman's Bohemian days it was advertised as a thrilling romance by one of the best novelists in this country and had a sale of between 20,000 and 25,000 copies, which netted the author about $200. References to the work in later years irritated Whitman and he refused to discuss it. The work is extremely scarce considering the great number that were published. 1855 Leaves of Grass. Brooklyn, New York. 1855. First edition. Twelve poems. Imperial octavo, pink paper wrappers. "Leaves of Grass" printed in block letters across front wrapper, end wrapper blank. Steel engraved portrait, title, uncaptioned preface, xii, Leaves of Grass, pp. 95, end blank. The author's name appears only in the copyright notice, and in the first poem: "Walt Whitman, an American, one of the roughs, a kosmos." The poems, twelve in number, are without titles. In the present authorized edition they appear under the following titles: Song of Myself. A Song for Occupations. To Think of Time. The Sleepers. I Sing the Body Electric. Faces. Song of the Answer (part one). Europe. A Boston Ballad. There Was a Child Went Forth. Who Learns My Lesson Complete. Great Are the Myths. The preface was later worked into three poems: By Blue Ontario's Shore. Song of Prudence. To a Foil'd European Revolutionaire. There are three variations of the first edition. The one noted above in pink wrappers is unquestionably the first issue. The second issue is bound in green cloth, gilt edges, and with the title stamped in rustic letters in gilt on the front cover. The last issue of this edition has all the points of the second issue with eight pages of press notices bound in at the front. Less than nine hundred copies were printed in July, 1855, in the printshop of Andrew H. Rome, 98 Cranberry Street, Brooklyn, the author assisting in the type composition and presswork. The volume was placed on sale at Fowler & Wells, Broadway, New York, and at Swaynes, in Fulton Street, Brooklyn, at two dollars, but was later reduced to one dollar. Very few copies were sold; Whitman giving almost the entire edition to critics and friends. Catalogued from the Maier copy. A reprint of this edition was issued in January, 1920, by Mr. Thomas B. Mosher, Portland, Maine. 1856 Leaves of Grass. Brooklyn, New York. 1856. Second edition. Thirty-two poems. Thick 16mo, green drab cloth, sprinkled edges. Title stamped in gilt on face of binding; on back title and quotation from Emerson's letter "I Greet You at the Beginning of a Great Career, R. W. Emerson," portrait, same as in the first edition, title, contents, iv, Leaves of Grass, pp. (5)-342, Leaves Droppings (reprint of Emerson's letter; Whitman's letter to Emerson and press notices), pp. 345-384, advertisement. Owing to the storm of criticism which arose against the book, Fowler & Wells, the New York publishers, refused to put their name on the title page, and though they attended to all the details of presswork and distribution, the volume was issued from Brooklyn, without imprint. It is said that there are copies in existence bearing Fowler & Wells imprint, but this is doubtful as such copies are unknown to Whitman collectors. In this edition the prose preface of the first edition is worked into four poems: By Blue Ontario's Shore; Song of the Answerer, part two; To a Foil'd European Revolutionaire, and Song of Prudence; the balance being reprinted in Specimen Days and Collect, 1881. Owing to the refusal of Fowler & Wells to stand sponsor to the volume, only 1,000 copies were printed and the book was out of print 1858-1860. 1860 Leaves of Grass Imprints. American and European Criticisms of "Leaves of Grass." Boston: Thayer and Eldridge, 1860. 18mo, printed wrappers, pp. 64. A reprint of current criticisms of the first and second editions. Pp. 7, 30, 38, contain articles written and contributed anonymously by Whitman to various New York papers. They were later reprinted in the Fellowship papers and in In Re Walt Whitman, 1893. It is exceedingly rare. 1860 Leaves of Grass. Boston: Thayer and Eldridge, Year '85 of The States. (1860-61.) Third edition. 154 poems. Duodecimo, brown cloth, heavily blind embossed. Portrait, at the age of forty, engraved by Schoff, after the painting by Charles Hine, in 1859, on an irregular tinted background, title, contents, pp. iv-456. Issued May, 1860. The author went to Boston to superintend the printing and binding. The publishers failed during the period of financial depression at the beginning of the Civil War and the plates were sold at auction to R. Worthington, who surreptitiously used them with the original imprint. There are, for this reason, four or more editions bearing the original Thayer and Eldridge imprint. The first issue is distinguished by the engraved portrait which is on an irregular tinted background and by the gilt embossed butterfly on the backbone of the binding. On the verso of the title is the inscription "Electrotyped at the Boston Stereotype Foundry. Printed by George C. Rand & Avery." The second issue has the portrait on white paper and lacks the gilt butterfly. The third issue, or the first pirated issue, lacks the printer's inscription and is bound in cheap cloth. Early issues, all spurious, contain catalogues of Worthington's publications bound in at the end. The plates were purchased by Whitman's literary executors after his death. In this edition the author abandons calling the months by their common names and adopts the Quaker style: that of calling September the Ninthmonth, etc. Copies of the first issue with the tinted portrait are extremely scarce. The various editions have heretofore remained undistinguished. 1865 Walt Whitman's Drum-Taps. New York, 1865. Duodecimo, brown cloth, title (Drum-Taps) stamped on gold ground on front cover, title, contents, iv, pp. 5-72. But few copies had been issued when the death of President Lincoln occurred and the author withheld the balance until a few weeks later when he added "When Lilacs Last in the Dooryard Bloom'd and other Pieces," with pagination distinct from that of Drum-Taps, as a sequel. This and the "Sequel" formed the first and second annexes to the fourth edition, 1867, of Leaves of Grass, and were later incorporated in the Washington, 1871 edition under the title of Drum-Taps. Copies without the "sequel" are exceedingly scarce. 1865 Sequel to Drum-Taps (since the preceding came from the press). When Lilacs Last in the Dooryard Bloom'd. And Other Pieces. Washington, D. C., 1865-6. Duodecimo, pp. 24. It is doubtful if any copies reached the market other than those issued as a part of Drum-Taps. The remaining copies were bound up with second issue of the 1867 edition. 1867 Leaves of Grass. New York, 1867. Fourth edition. Duodecimo, walnut half-morocco, title, contents, iv, pp. (7)-338. There is also a cloth bound issue that differs in no manner from the above. Both have "Ed'n 1867" stamped in gilt on back. Later issues of this edition have added, under separate pagination, Drum-Taps, pp. iv-72; Sequel to Drum-Taps, pp. 24; Songs Before Parting, pp. 36. A blank leaf separates each section. In this edition the author changes the writing of the past participle to 'd. The verses and sections are numbered. 1868 Poems by Walt Whitman. Selected and Edited by William Michael Rossetti [quotation from Michelangelo]. London: John Camden Hotten, Piccadilly, 1868. "Rossetti" Edition. Duodecimo, blue cloth, uncut; half-title, portrait with facsimile signature, title, page of quotations from Swedenborg, Carlyle, and Robespierre, note on portrait, dedication (by W. M. R.) to William Bell Scott, contents, prefatory notices, preface to Leaves of Grass, pp. 64; half-title, pp. 401, postscript. Eight pages of advertisements in front, and sixteen pages in back. The first English, or "Rossetti's Edition." W. D. O'Connor writing to an European friend called it "A fairly representative, but nevertheless, castrated edition." A second edition from new type was issued in 1886 by Chatto & Windus, London. Third edition, 1910. 1871 Leaves of Grass. Washington, D. C., 1871. [Pointing Hand] See Advertisement at end of this Volume. Fifth edition. Duodecimo, light green paper wrappers, uncut; title, contents, pp. vi-384. Copyright notice dated 1870; Later issues were bound in cloth. 1871 Memoranda. Democratic Vistas. Washington, D. C., 1871. [Pointing Hand] See Advertisement at end of this Volume. Duodecimo, light green paper wrappers, uncut; title, contents, pp. 84. Copyright notice dated 1870. 1871 Leaves of Grass. Passage to India. (Five line poem beginning, "Gliding o'er all.") Washington, D. C., 1871. [Pointing Hand] See Advertisement at end of this Volume. Duodecimo, light green paper wrappers, uncut; title, contents, pp. iv-120. Copyright notice dated 1870. 1871 After All, Not to Create Only. Recited by Walt Whitman on Invitation of Managers American Institute, on Opening their 40th Annual Exhibition, New York, noon, September 7, 1871 (device). Boston: Roberts Brothers, 1871. Duodecimo, beveled cloth boards, half-title, title, note, vii; pp. 24, notes. There is also a limp cloth issue which is quite common, that was issued to be sold at the exhibition. The poem was later published in the Transactions of the American Institute, 1871-72. Albany, 1872. 1872 Leaves of Grass. Washington, D. C., 1872. Second issue of the fifth edition. Duodecimo, green cloth, uncut; title, contents, vi, pp. 384. Passage to India, pp. 120. Printed from the plates of the Washington, 1871 editions of Leaves of Grass and Passage to India. Later issues have After All, Not to Create Only, pp. 14 bound in. 1872 Leaves of Grass. As a Strong Bird on Pinions Free. And Other Poems. Washington, D. C., 1872. Duodecimo, green cloth, uncut; title, contents, preface, x; One Song, America, Before I Go, one page; Souvenirs of Democracy, facsimile signature, one page; pp. 14; Virginia--The West; By Broad Potomac's Shore, one page, unnumbered; eight pages advertisements. 1875 Memoranda During the War. By Walt Whitman. Author's Publication. Camden, New Jersey, 1875-76. Octavo, maroon cloth, title stamped in gold on cover; page, "Remembrance Copy;" portrait, title, pp. 68, advertisement. 1876 Leaves of Grass. [Nine-line poem beginning "Come, said my soul," signed Walt Whitman in the Author's autograph.] Author's Edition, with Portraits from Life. Camden, New Jersey, 1876. Sixth edition. Octavo, half-calf, leather label, title, contents, vi; pp. 384, advertisement. Portrait same as in the first edition facing page 29; woodcut portrait by W. J. Linton facing page 285. 1876 Leaves of Grass. [Nine-line poem in author's holograph, signed Walt Whitman.] Author's Edition. With Portraits and Intercallations. Camden, New Jersey, 1876. Octavo, half calf, leather label, uncut. The same in every detail except for a new title. At the end of the table of contents a slip is tipped in: Intercallations Page As in a Swoon 207 The Beauty of the Ship 247 When the Full-Grown Poet Came 359 After an Interval 369 On each page indicated will be found a poem, tipped in. There is a variation in the intercallations: a few contain "A Death Sonnet for Custer." 1876 Two Rivulets including Democratic Vistas, Centennial Songs, and Passage to India. Author's Edition. Camden, New Jersey, 1876. Octavo, half-calf, leather label; portrait, "Photo'd from life, Sept., '72, Brooklyn, N. Y., by G. F. Pearsall, Fulton St." signed "Walt Whitman, born May 31, 1819"; title, pp. 32, blank leaf; Democratic Vistas, pp. 84; blank page; Centennial Songs, 1876, pp. 1-18; blank page; As a Strong Bird on Pinions Free, preface, pp. x, pp. 14, blank page; Passage to India, pp. 120; blank page, advertisement. The above and Leaves of Grass, 1876, were uniform in binding and comprised Whitman's complete works to date. 1881 Leaves of Grass [device]. Boston: James R. Osgood & Company, 1881-82. Seventh edition. Duodecimo, yellow cloth, facsimile signature stamped in gilt on front cover; title, contents, pp. 382. This edition was suppressed by District Attorney Stevens on complaint of the Society for the Suppression of Vice. The unbound copies were claimed by the author who inserted a new title-page. The plates were turned over to Rees, Welsh and Company. Later they were given to David McKay, who issued several editions bearing the dates of 1884, 1885, 1886. There is also an edition from these plates with McKay's imprint and Putnam's name on the binding. 1881 Leaves of Grass. By Walt Whitman, Author's Copyright Edition [device]. London: David Bogue, 3 St. Martin's Place, Trafalgar Square, W. C., 1881. (All rights reserved.) Octavo, olive cloth, uncut; title, contents, pp. 382. The collation being the same as that of the Boston, 1881 edition it is possible that Bogue purchased the sheets from Osgood or Whitman and bound the book to his own tastes. There was another issue, same collation, in 1884. 1881 Leaves of Grass by Walt Whitman: Preface to the Original Edition, 1855 [device]. London: Trübner & Co., 1881. Octavo, blue wrappers, uncut, title, pp. 31, advertisements. Only 500 copies were printed. An edition on large paper, bound in light blue wrappers and limited to twenty-five copies was issued at the same time. 1882 Specimen Days and Collect. By Walt Whitman, author of "Leaves of Grass." Philadelphia: Rees, Welsh & Co., No. 23 South Ninth Street, 1882-83. Duodecimo, paper wrappers, uncut; portrait, title, contents, pp. 374; advertisement. Very few copies were issued in wrappers, the larger number being bound in yellow cloth and with the imprint of David McKay. The edition with the imprint of Wilson and McCormick, Glasgow, 1883, was printed from the same plates. 1886 Leaves of Grass. The Poems of Walt Whitman (selected), with Introduction by Ernest Rhys. 18 mo, blue cloth, paper label, uncut; portrait, title, contents, introduction, xxxix, pp. 318; advertisements. The Canterbury Poet Series. 1887 Specimen Days in America. By Walt Whitman. Newly revised by the author, with fresh preface and additional note. London: Walter Scott, 24 Warwick Lane, Paternoster Row, 1887. 16 mo, blue cloth, paper label, uncut; half-title, title, contents, preface, pp. 312; advertisements. The Camelot Series. Later Published by Routledge in the New Universal Library. 1888 November Boughs. By Walt Whitman. Philadelphia: David McKay, 23 South Ninth Street, 1888. Octavo maroon cloth, uncut; title stamped in gilt on front cover; portrait, the 70th year, title, contents, (5)-140; advertisement. 1888 Complete (portrait) Poems and Prose of Walt Whitman, 1855-1888. Authenticated and Personal Book (handled by W. W.). Portraits from Life. Autograph. Eighth edition, Leaves of Grass; third edition of Prose Works. Octavo, half cloth, uncut. Leaves of Grass, pp. 382; Specimen Days, pp. 374; November Boughs, pp. 140. Portraits face pp. 29 and 206. 600 copies. 1888 Democratic Vistas, and other Papers. By Walt Whitman. Published by arrangement with the author. London: Walter Scott, 24 Warwick Lane, Paternoster Row, 1888. 12 mo, cloth, paper label, uncut; title, contents, preface, pp. 175; advertisements. 1889 Leaves of Grass with Sands at Seventy and A Backward Glance o'er Travel'd Roads. To-day, after finishing my 70th year, the fancy comes for celebrating it by a special, complete, final utterance, in one handy volume, of L. of G., with their Annex, and Backward Glance--and for stamping and sprinkling all with portraits and facial photos, such as they actually were, taken from life, different stages. Doubtless, anyhow, the volume is more a _Person_ than a book. And for testimony to all (and for good measure) I here with pen and ink append my name: Walt Whitman. Portraits from Life; autograph; special edition. (300 copies only printed--$5 each.) The "Pocketbook" Leaves of Grass. Duodecimo, black morocco, with and without flaps, gilt edges. Portrait, title, contents, pp. 9-382; Sands at Seventy, pp. 383-404; A Backward Glance o'er Travel'd Roads, separate pagination, pp. 1-18. Portraits face pp. 29, 132, 214, 296, 383. 1889 Gems from Walt Whitman. Selected by Elizabeth Porter Gould. Philadelphia: David McKay, Publisher, 23 South Ninth Street, 1889. Oblong duodecimo, maroon cloth; title, contents, poem to W. W., pp. 58. 1891 Good-Bye My Fancy, 2d Annex to Leaves of Grass. Philadelphia: David McKay, Publisher, 23 South Ninth Street, 1891. Octavo, green or maroon cloth, uncut, gilt top; title stamped in gilt on front cover; portrait, title, contents, pp. (5)-66. 1891 Leaves of Grass. Including Sands at Seventy. 1st Annex, Good-Bye my Fancy; 2d Annex, A Backward Glance o'er Travel'd Roads, and Portrait from Life. [Nine-line poem, facsimile signature of the author.] Philadelphia: David McKay, Publisher, 23 South Ninth Street, 1891-2. Ninth edition. Octavo, paper wrappers, paper label, uncut; title, contents, pp. 438. Later issues were bound in cloth and have the publisher's address at 1022 Market Street. 1892 Complete Prose Works. Walt Whitman. Philadelphia: David McKay, Publisher, 23 South Ninth Street, 1892. Octavo, green cloth, uncut, gilt top; title, contents, viii, pp. 522. 1892 Selected Poems. By Walt Whitman. New York: Charles L. Webster & Co., 1892. 16 mo, grey cloth; half-title, portrait, editor's note, pp. 179; advertisements. In the Fiction, Fact, and Fancy Series. Edited by Arthur Stedman. 1892 Autobiographia, or the Story of a Life. By Walt Whitman. Selected from his Writings. New York: Charles L. Webster & Co., 1892. 16 mo, grey cloth; half-title, photo of Mickle Street, Camden house, title, editor's note, W. W. by E. C. S., pp. 205; advertisements. The publisher failed and very few copies reached the market. In the Fiction, Fact, and Fancy Series edited by Arthur Stedman. There is an issue in blue cloth from the same plates, uncut, bearing the imprint of G. P. Putnam's Sons, London, 1892, and some bearing the McKay imprint. 1893 _In Re_ Walt Whitman. Edited by his Literary Executors, Horace L. Traubel, Richard Maurice Bucke, Thomas B. Harned [quotation from Lucretius]. Published by the Editors through David McKay, 23 South Ninth Street, Philadelphia, 1893. Octavo, cloth, uncut; half-title, title, a First and Last Word, contents, x, pp. 452; advertisements. But 1,000 copies were published. Each copy was to be numbered consecutively, though many are found without the number. Most copies have the signatures of one or all the executors. The volume contains the following by Walt Whitman: Walt Whitman and his Poems, pp. 13-21. Leaves of Grass: a volume of poems just published, pp. 23-26. An English and an American Poet, pp. 27-32. Letters in Sickness: Washington, 1873, pp. 73-92. The first three articles were written by Whitman during 1855-56 and sent to the newspapers anonymously. He insisted that considering the misunderstanding and abuse accorded to Leaves of Grass, he was compelled to resort to these methods to defend his work in columns that would have been otherwise closed to him. The latter was a series of letters to his mother. [*]1895 The Masterpiece Library. XXVII. Poems by Walt Whitman [quotation]. London: "Review of Reviews," Office Price One Penny. Duodecimo, orange wrappers, pp. 60; advertisements. No. 27 of the Penny Poets. Quite scarce. [*Date registered British Copyright Office.] 1897 Leaves of Grass including Sands at Seventy, Good-Bye My Fancy, Old Age Echoes, and A Backward Glance O'er Traveled Roads. By Walt Whitman [device]. Boston: Small, Maynard & Company, 1897. Octavo, green cloth, uncut; portrait, title, poem, author's note, no pagination, pp. 455. Later editions from the same plates: D. Appleton & Company. Mitchell Kennerley. Doubleday, Page & Company. 1897 Calamus. A Series of Letters Written during the Years 1868-1880. By Walt Whitman to a Young Friend [Peter Doyle]. Edited with an introduction by Richard Maurice Bucke, M. D., one of Whitman's literary executors. [Quotation from p. 102, "Leaves of Grass," edition of 1892.] Published by Laurens Maynard at 287 Congress Street in Boston, MDCCCXCVII. Duodecimo, boards, cloth back, paper label; zinc etching of Whitman and Peter Doyle reproduced from a photograph by Rice, Washington, D. C., 1869; title, 4 pp. quotations, chronological notes of Walt Whitman's life, introduction, pp. 173. The first issue was limited to 35 numbered copies. A regular edition was published at the same time. 1898 Complete Prose Works. Specimen Days and Collect, November Boughs and Good-Bye My Fancy. By Walt Whitman [device]. Boston: Small, Maynard & Company, 1898. Octavo, cloth, uncut; half-title, portrait, title, contents, list of illustrations, pp. 527. Later editions from the same plates: A. Appleton & Company. Mitchell Kennerley. Doubleday, Page & Company. 1898 The Wound Dresser. A Series of Letters Written from the Hospitals in Washington during the War of the Rebellion. By Walt Whitman. Edited by Richard Maurice Bucke, M. D., one of Whitman's literary executors [device]. Boston: Small, Maynard & Company, 1898. Octavo, red buckram, uncut; title, portrait, contents, pp. 201. The edition was limited to 10 copies signed by the editor; the earliest of these copies have the publisher's device slightly out of the center. 1898 Selections from the Prose and Poetry of Walt Whitman. Edited with an Introduction by Oscar Lovell Triggs, Ph.D. (The University of Chicago) [device]. Boston: Small, Maynard & Company, 1898. Octavo, buckram, uncut; half-title, portrait, title, dedication, preface, contents, introduction xliii, half-title, pp. 248. Selected bibliography (251)-257. 1898 "Walt Whitman at Home." By Himself. Critic Pamphlet No. 2. New York: The Critic Co., 1898. Duodecimo, sewn, uncut; title, portrait, pp. 21. Facsimiles of Walt Whitman's manuscript on pp. 15 and 21. 1899 Notes and Fragments. Left by Walt Whitman and now Edited by Dr. Richard Maurice Bucke, one of his literary executors. "Waifs from the Deep Cast High and Dry," Leaves of Grass, pp. 278. Printed for Private Distribution only, 1899. Small quarto, pebbled cloth, uncut; half-title, title, preface, pp. 211. 250 copies. 1900 Leaves of Grass. By Walt Whitman. Including a Facsimile Autobiography, variorum readings of the poems and a department of Gathered Leaves [device]. Philadelphia: David McKay, 1022 Market St. 8vo, green cloth; g.t., uncut; portrait, title, preface by David McKay, contents, x, facsimile of Whitman's autobiography, pp. 510, alphabetical index of titles, (511)-516. There are portraits facing pp. 31, 117, 395 of the text. 1900 Leaves of Grass [device]. Walt Whitman. New York and Boston: H. M. Caldwell Co. 18mo, pictorial board on cloths, uncut, portrait, title, pp. 88; advertisements. 1900 When Lilacs Last in the Dooryard Bloom'd. Essex House Press, London: 1900. 12mo. vellum, uncut. 135 copies on vellum. 1902 The Complete Writings of Walt Whitman. Issued under the editorial supervision of his Literary Executors, Richard Maurice Bucke, Thomas B. Harned, and Horace L. Traubel. With additional bibliographical and critical material by Oscar Lovell Triggs, Ph.D. G. P. Putnam's Sons. New York and London: The Knickerbocker Press. Ten volumes, various bindings, uncut. Every scrap of paper and memoranda of Whitman's is here collected and edited by his literary executors. Leaves of Grass takes up three volumes; the Prose works seven. Vol. 1. Introduction. Leaves of Grass. Vol. 2. Leaves of Grass. Vol. 3. Leaves of Grass, variorum readings, index. Vol. 1. Specimen Days. Vol. 2. Specimen Days; Collect. Vol. 3. Collect, November Boughs, Good-Bye My Fancy. Vol. 4. Good-Bye My Fancy, The Wound Dresser. Vol. 5. Calamus, chapters by T. B. Harned. Vol. 6. Notes and Fragments. Vol. 7. Notes and Fragments, The Growth of Leaves of Grass, Bibliography, by O. L. Triggs. There are several editions; three of which were published simultaneously. Autograph edition, with ms. inserted 32 sets. Paumanok edition, coloured plates 300 sets. Camden edition 300 sets. The Lamb Publishing Company later published from the same plates: National edition 1,000 copies. 1904 Walt Whitman's Diary in Canada with Extracts from other of his Diaries and Literary Note-Books. Edited by William Sloane Kennedy [device]. Boston: Small, Maynard & Company, MCMIV. Octavo, grey boards, parchment back and corners, uncut; half-title, portrait, title, editor's preface, pp. 73. The edition was limited to 500 copies of which few were sold, the balance being bound up in light blue cloth, some without portrait. 1904 An American Primer. By Walt Whitman, with Facsimiles of the Original Manuscript. Edited by Horace Traubel [device]. Boston: Small, Maynard & Company, MCMIV. 8vo, grey boards, vellum back and corners, uncut; half-title, portrait, title, foreword, half-title, 3 pp. facsimiles, pp. 35. The edition was limited to 500 copies of which few were sold, the balance being bound up in light blue cloth, some without portrait. 1904 Leaves of Grass [selected]. With a prefactory note by Harry Roberts. London: Anthony Treherne & Co., Ltd., 1904. Duodecimo, cloth, title, preface, pp. 272. Vol. I of the Vagabonds Library. 1904 Selected Poems of Walt Whitman. Edited with Introduction and Notes by Julian W. Abernethy, Ph.D. [device]. New York: Charles E. Merrill Co. 16 mo, brown wrappers, title, introduction, critical opinions, bibliography, pp. 63. In Maynard's English Classic Series, No. 242. 1904 Song of Myself. I, Walt Whitman, now thirty-seven years old, in perfect health, begin, hoping to cease not till death. I will make the poems of materials, for I think they are the most spiritual poems, and I will make the poems of my body and mortality. Done into print by the Roycrofters at their shop which is in East Aurora, New York, A.D. MDCCCCIV. Small quarto, various bindings, uncut; half title, portrait, title, pp. 70. 1905 Lafayette in Brooklyn. By Walt Whitman, with an Introduction by John Burroughs. New York: George D. Smith, 1905. Octavo, grey boards, paper labels, uncut; half-title, publisher's note and autograph signature portrait on Japan paper, title, contents, list of plates, note, half-title, facsimile of manuscript on Japan paper, note, Lafayette in Brooklyn, notes. No pagination. There is a portrait of Lafayette in the text. The issue was limited to 250 copies, 15 of which were on Imperial Japanese vellum, the balance on hand-made paper. 1905 The Book of Heavenly Death by Walt Whitman, compiled from Leaves of Grass by Horace Traubel [device]. Portland, Maine: Thomas B. Mosher, MDCCCCV. Duodecimo, light blue boards, paper label, uncut; note, facsimile, note, portrait (Lear) title, contents, preface, pp. 103 including index. 500 copies from type. Collated from late edition. 1906 Memories of President Lincoln and other Lyrics of the War. By Walt Whitman [device]. Portland, Maine: Thomas B. Mosher, MDCCCCVI. 16mo, grey boards, paper labels, uncut; half-title, title, contents, foreword, pp. (43). 950 copies from type. 1906 Memories of President Lincoln, and other Lyrics of the War. By Walt Whitman [device]. Portland, Maine: Thomas B. Mosher, MDCCCCVI. Duodecimo, boards, paper label, uncut; half-title, title, contents, foreword by Horace Traubel and T. B. M., note by John Burroughs, pp. 45. 1906 Walt Whitman. A Little Book of Nature Thoughts. Selected by Anne Montgomerie Traubel [device]. Portland, Maine: Thomas B. Mosher, MDCCCCVI. Narrow 16mo, blue wrappers, uncut; half-title, title, preface, pp. 82, index. 1907 The Wisdom of Walt Whitman. Selected and Edited, with Introduction by Laurens Maynard. New York: Brentano's Fifth Avenue, MCMVII. 24mo, limp morocco; half-title, title, contents, introduction, pp. 154; index, pp. 155-165. 1909 Leaves of Grass. By Walt Whitman. London, New York, Toronto and Melbourne: Cassell and Company, Ltd. MCMIX. Duodecimo, cloth or leather, pp. 468. The Peoples Library. 1912 Memories of President Lincoln. When Lilacs Last in the Dooryard Bloom'd; O Captain! My Captain; Hush'd be the Camps To-Day; This Dust was once the Man [device]. Portland, Maine: Published by Thomas B. Mosher at XLV Exchange Street, MDCCCCXII. Imperial octavo, grey boards, uncut; part of Lincoln, title, Lincoln's Gettysburg address, note by William Marion Reedy, contents, half-title, foreword by Horace Traubel and T. B. M., half-title, pp. 13, printed on front of each page, bibliographical notes, (16) note. 300 copies on hand made paper. 50 copies of Japanese vellum. 1912 Leaves of Grass (1), and Democratic Vistas. By Walt Whitman. London: Published by J. M. Dent & Sons, Ltd., and in New York by E. P. Dutton & Co. Duodecimo, cloth and leather, pp. 359. Everyman's Library; introduction by Horace Traubel. 1912 The Rolling Earth. Outdoor Scenes and Thoughts from the writings of Walt Whitman. Compiled by Waldo R. Browne, with an Introduction by John Burroughs [quotation]. Boston and New York: Houghton Mifflin Company. The Riverside Press, Cambridge, 1912. 16 mo, cloth; half-title, portrait, title, dedication, pp. (223). 1913 Poems from Leaves of Grass. By Walt Whitman. The colored illustrations by Margaret C. Cook. London: J. M. Dent & Sons, Ltd. New York: E. P. Dutton & Co., 1913. Octavo, cloth, gilt, uncut; half-title, title, contents, list of illustrations, pp. 260. Twenty-four colored plates mounted on oxford brown paper. From the text of the 1861 edition. 1913 Criticism, An Essay. By Walt Whitman For Members. Newark: Carteret Book Club: 1913. Duodecimo, boards, uncut. Edition limited to one hundred copies. 1914 Leaves of Grass (Selected). By Walt Whitman [quotation from DuBury]. London: Charles H. Kelly. Duodecimo, crimson cloth; decorated title and frontispiece, pp. 300. Edited by John Telford. "Special care has been taken in this edition to omit everything that would offend the reader's taste." From the editor's preface. 1915 Memories of President Lincoln. By Walt Whitman [device]. Little Leather Library Corporation, 1915. Sexto-decimo, limp calf, pp. 127. n. d. Sea Drift. By Walt Whitman [device]. London: Jarrold & Sons. Sexto-decimo, polished levant, uncut. Printed on one side of the page, pp. 52 (104). +------------------------------------------------------+ | Transcriber's Note: The advertisement pages at the | | end of the book were not available for inclusion | | in this e-book. | +------------------------------------------------------+ End of Project Gutenberg's The Bibliography of Walt Whitman, by Frank Shay *** END OF THIS PROJECT GUTENBERG EBOOK THE BIBLIOGRAPHY OF WALT WHITMAN *** ***** This file should be named 31781-8.txt or 31781-8.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/1/7/8/31781/ Produced by Juliet Sutherland, Tamise Totterdell and the Online Distributed Proofreading Team at https://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.