The Project Gutenberg EBook of Time's Portraiture, by Nathaniel Hawthorne

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Time's Portraiture

Author: Nathaniel Hawthorne

Posting Date: December 23, 2010 [EBook #9252]
Release Date: November, 2005
First Posted: September 25, 2003
Last Updated: February 8, 2007

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE ***




Produced by David Widger.  HTML version by Al Haines.









                 THE DOLIVER ROMANCE AND OTHER PIECES

                         TALES AND SKETCHES

                       By Nathaniel Hawthorne


                         TIME'S PORTRAITURE



Being the Carrier's Address to the Patrons of "The Salem Gazette" for
the 1st of January, 1838.

ADDRESS.

Kind Patrons:---We newspaper carriers are Time's errand-boys; and all
the year round, the old gentleman sends us from one of your doors to
another, to let you know what he is talking about and what he is doing.
We are a strange set of urchins; for, punctually on New Year's morning,
one and all of us are seized with a fit of rhyme, and break forth in such
hideous strains, that it would be no wonder if the infant Year, with her
step upon the threshold, were frightened away by the discord with which
we strive to welcome her.  On these occasions, most generous patrons,
you never fail to give us a taste of your bounty; but whether as a
reward for our verses, or to purchase a respite from further infliction
of them, is best known to your worshipful selves.  Moreover, we, Time's
errand-boys as aforesaid, feel it incumbent upon us, on the first day of
every year, to present a sort of summary of our master's dealings with
the world, throughout the whole of the preceding twelvemonth.  Now it
has so chanced by a misfortune heretofore unheard of, that I, your
present petitioner, have been altogether forgotten by the Muse.  Instead
of being able (as I naturally expected) to measure my ideas into
six-foot lilies, and tack a rhyme at each of their tails, I find myself,
this blessed morning, the same simple proser that I was yesterday, and
shall probably be to-morrow.  And to my further mortification, being a
humble-minded little sinner, I feel no wise capable of talking to your
worships with the customary wisdom of my brethren, and giving sage
opinions as to what Time has done right, and what he has done wrong, and
what of right or wrong he means to do hereafter.  Such being my unhappy
predicament, it is with no small confusion of face, that I make bold to
present myself at your doors.  Yet it were surely a pity that my
non-appearance should defeat your bountiful designs for the replenishing of
my pockets.  Wherefore I have bethought me, that it might not displease
your worships to hear a few particulars about the person and habits of
Father Time, with whom, as being one of his errand-boys, I have more
acquaintance than most lads of my years.

For a great many years past, there has been a woodcut on the cover of
the "Farmer's Almanac," pretending to be a portrait of Father Time.  It
represents that respectable personage as almost in a state of nudity,
with a single lock of hair on his forehead, wings on his shoulders, and
accoutred with a scythe and an hour-glass.  These two latter symbols
appear to betoken that the old fellow works in haying time, by the hour.
But, within my recollection, Time has never carried a scythe and an
hour-glass, nor worn a pair of wings, nor shown himself in the half-naked
condition that the almanac would make us believe.  Nowadays, he is
the most fashionably dressed figure about town; and I take it to be his
natural disposition, old as he is, to adopt every fashion of the day and
of the hour.  Just at the present period, you may meet him in a furred
surtout, with pantaloons strapped under his narrow-toed boots; on his
head, instead of a single forelock, he wears a smart auburn wig, with
bushy whiskers of the same hue, the whole surmounted by a German-lustre
hat.  He has exchanged his hour-glass for a gold patent-lever watch,
which he carries in his vest-pocket; and as for his scythe, he has
either thrown it aside altogether, or converted its handle into a cane
not much stouter than a riding-switch.  If you stare him full in the
face, you will perhaps detect a few wrinkles; but, on a hasty glance,
you might suppose him to be in the very heyday of life, as fresh as he
was in the garden of Eden.  So much for the present aspect of Time; but
I by no means insure that the description shall suit him a month hence,
or even at this hour tomorrow.

It is another very common mistake, to suppose that Time wanders among
old ruins, and sits on mouldering walls and moss-grown stones,
meditating about matters which everybody else has forgotten.  Some
people, perhaps, would expect to find him at the burial-ground in Broad
Street, poring over the half-illegible inscriptions on the tombs of the
Higginsons, the Hathornes,--[Not "Hawthorne," as one of the present
representatives of the family has seen fit to transmogrify a good old
name.]--the Holyokes, the Brownes, the Olivers, the Pickmans, the
Pickerings, and other worthies, with whom he kept company of old.  Some
would look for him on the ridge of Gallows Hill, where, in one of his
darkest moods, he and Cotton Mather hung the witches.  But they need not
seek him there.  Time is invariably the first to forget his own deeds,
his own history, and his own former associates.  His place is in the
busiest bustle of the world.  If you would meet Time face to face, you
have only to promenade in Essex Street, between the hours of twelve and
one; and there, among beaux and belles, you will see old Father Time,
apparently the gayest of the gay.  He walks arm in arm with the young
men, talking about balls and theatres, and afternoon rides, and midnight
merry-makings; he recommends such and such a fashionable tailor, and
sneers at every garment of six months' antiquity; and, generally, before
parting, he invites his friends to drink champagne,--a wine in which
Time delights, on account of its rapid effervescence.  And Time treads
lightly beside the fair girls, whispering to them (the old deceiver!)
that they are the sweetest angels he ever was acquainted with.  He tells
them that they have nothing to do but dance and sing, and twine roses in
their hair, and gather a train of lovers, and that the world will always
be like an illuminated ball-room.  And Time goes to the Commercial
News-Room, and visits the insurance-offices, and stands at the corner of
Essex and St. Peter's Streets, talking with the merchants.

However, Time seldom has occasion to mention the gentleman's name, so
that it is no great matter how he spells or pronounces it about the
arrival of ships, the rise and fall of stocks, the price of cotton and
breadstuffs, the prospects of the whaling-business, and the cod-fishery,
and all other news of the day.  And the young gentlemen, and the pretty
girls, and the merchants, and all others with whom he makes
acquaintance, are apt to think that there is nobody like Time,
and that Time is all in all.

But Time is not near so good a fellow as they take him for.  He is
continually on the watch for mischief, and often seizes a sly
opportunity to lay his cane over the shoulders of some middle-aged
gentleman; and lo and behold!  the poor man's back is bent, his hair
turns gray, and his face looks like a shrivelled apple.  This is what is
meant by being "time-stricken."  It is the worst feature in Time's
character, that he always inflicts the greatest injuries on his oldest
friends.  Yet, shamefully as he treats them, they evince no desire to
cut his acquaintance, and can seldom bear to think of a final
separation.

Again, there is a very prevalent idea, that Time loves to sit by the
fireside, telling stories of the Puritans, the witch persecutors, and
the heroes of the old French war and the Revolution; and that he has no
memory for anything more recent than the days of the first President
Adams.  This is another great mistake.  Time is so eager to talk of
novelties, that he never fails to give circulation to the most
incredible rumors of the day, though at the hazard of being compelled to
eat his own words to-morrow.  He shows numberless instances of this
propensity while the national elections are in progress.  A month ago,
his mouth was full of the wonderful Whig victories; and to do him
justice, he really seems to have told the truth for once.  Whether the
same story will hold good another year, we must leave Time himself to
show.  He has a good deal to say, at the present juncture, concerning
the revolutionary movements in Canada; he blusters a little about the
northeastern boundary question; he expresses great impatience at the
sluggishness of our commanders in the Florida war; he gets considerably
excited whenever the subject of abolition is brought forward, and so
much the more, as he appears hardly to have made up his mind on one side
or the other.  Whenever this happens to be the case,--as it often
does,--Time works himself into such a rage, that you would think he were
going to tear the universe to pieces; but I never yet knew him to
proceed, in good earnest, to such terrible extremities.  During the last
six or seven months, he has been seized with intolerable sulkiness at
the slightest mention of the currency; for nothing vexes Time so much as
to be refused cash upon the nail.  The above are the chief topics of
general interest which Time is just now in the habit of discussing.
For his more private gossip, he has rumors of new matches, of old ones
broken off, with now and then a whisper of good-natured scandal;
sometimes, too, he condescends to criticise a sermon, or a lyceum
lecture, or performance of the glee-club; and, to be brief, catch the
volatile essence of present talk and transitory opinions, and you will
have Time's gossip, word for word.  I may as well add, that he expresses
great approbation of Mr. Russell's vocal abilities, and means to be
present from beginning to end of his next concert.  It is not every
singer that could keep Time with his voice and instrument, for a whole
evening. Perhaps you will inquire, "What are Time's literary tastes?"
And here again there is a general mistake.  It is conceived by many,
that Time spends his leisure hours at the Athenaeum, turning over the
musty leaves of those large worm-eaten folios, which nobody else has
disturbed since the death of the venerable Dr. Oliver.  So far from this
being the case, Time's profoundest studies are the new novels from
Messrs. Ives and Jewett's Circulating Library.  He skims over the
lighter articles in the periodicals of the day, glances at the
newspapers, and then throws them aside forever, all except "The Salem
Gazette," of which he preserves a file, for his amusement a century or
two hence.

We will now consider Time as a man of business.  In this capacity, our
citizens are in the habit of complaining, not wholly without reason,
that Time is sluggish and dull.  You may see him occasionally at the end
of Derby Wharf, leaning against a post, or sitting on the breech of an
iron cannon, staring listlessly at an unrigged East Indiaman.  Or, if
you look through the windows of the Union Marine Insurance Office, you
may get a glimpse of him there, nodding over a newspaper, among the old
weather-beaten sea-captains who recollect when Time was quite a
different sort of fellow.  If you enter any of the dry-goods stores
along Essex Street, you will be likely to find him with his elbows on
the counter, bargaining for a yard of tape or a paper of pins.  To catch
him in his idlest mood, you must visit the office of some young lawyer.
Still, however, Time does contrive to do a little business among us, and
should not be denied the credit of it.  During the past season, he has
worked pretty diligently upon the railroad, and promises to start the
cars by the middle of next summer.  Then we may fly from Essex Street to
State Street, and be back again before Time misses us.  In conjunction
with our worthy mayor (with whose ancestor, the Lord Mayor of London,
Time was well acquainted more than two hundred years ago) he has laid
the corner-stone of a new city hall, the granite front of which is
already an ornament to Court Street.  But besides these public affairs,
Time busies himself a good deal in private.  Just at this season of the
year, he is engaged in collecting bills, and may be seen at almost any
hour peregrinating from street to street, and knocking at half the doors
in town, with a great bundle of these infernal documents.  On such
errands he appears in the likeness of an undersized, portly old
gentleman, with gray hair, a bluff red face, and a loud tone of voice;
and many people mistake him for the penny-post.

Never does a marriage take place, but Time is present among the
wedding-guests; for marriage is an affair in which Time takes more
interest than in almost any other.  He generally gives away the bride,
and leads the bridegroom by the hand to the threshold of the bridal
chamber.  Although Time pretends to be very merry on these occasions,
yet, if you watch him well, you may often detect a sigh.  Whenever a babe
is born into this weary world, Time is in attendance, and receives the
wailing infant in his arms.  And the poor babe shudders instinctively at
his embrace, and sets up a feeble cry.

Then again, from the birth-chamber, he must hurry to the bedside of some
old acquaintance, whose business with Time is ended forever, though
their accounts remain to be settled at a future day.  It is terrible,
sometimes, to perceive the lingering reluctance, the shivering agony,
with which the poor souls bid Time farewell, if they have gained no
other friend to supply the gray deceiver's place.  How do they cling to
Time, and steal another and yet another glance at his familiar aspect!
But Time, the hard-hearted old fellow! goes through such scenes with
infinite composure, and dismisses his best friends from memory the
moment they are out of sight.  Others, who have not been too intimate
with Time, as knowing him to be a dangerous character, and apt to ruin
his associates,--these take leave of him with joy, and pass away with a
look of triumph on their features.  They know, that, in spite of all his
flattering promises, he could not make them happy, but that now they
shall be so, long after Time is dead and buried.

For Time is not immortal.  Time must die, and be buried in the deep
grave of eternity.  And let him die.  From the hour when he passed forth
through the gate of Eden, till this very moment, he has gone to and fro
about the earth, staining his hands with blood, committing crimes
innumerable, and bringing misery on himself and all mankind.  Sometimes
he has been a pagan; sometimes a persecutor.  Sometimes he has spent
centuries in darkness, where he could neither read nor write.  These
were called the Dark Ages.  There has hardly been a single year, when he
has not stirred up strife among the nations.  Sometimes, as in France
less than fifty years ago, he has been seized with fits of frenzy, and
murdered thousands of innocent people at noonday.  He pretends, indeed,
that he has grown wiser and better now.  Trust him who will; for my
part, I rejoice that Time shall not live forever.  He hath an appointed
office to perform.  Let him do his task, and die.  Fresh and young as he
would make himself appear, he is already hoary with age; and the very
garments that he wears about the town were put on thousands of years
ago, and have been patched and pieced to suit the present fashion.
There is nothing new in him nor about him.  Were he to die while I am
speaking, we could not pronounce it an untimely death.  Methinks, with
his heavy heart and weary brain, Time should himself be glad to die.

Meanwhile, gentle patrons, as Time has brought round another New Year,
pray remember your poor petitioner.  For so small a lad, you will agree
that I talk pretty passably well, and have fairly earned whatever spare
specie Time has left in your pockets.  Be kind to me; and I have good
hope that Time will be kind to you.  After all the hard things which I
have said about him, he is really,--that is, if you take him for neither
more nor less than he is worth, and use him as not abusing him,--Time is
really a very tolerable old fellow, and may be endured for a little
while that we are to keep him company.  Be generous, kind patrons, to
Time's errand-boy.  So may he bring to the merchant his ship safe from
the Indies; to the lawyer, a goodly number of new suits; to the doctor,
a crowd of patients with the dyspepsia and fat purses; to the farmer, a
golden crop and a ready market; to the mechanic, steady employment and
good wages; to the idle gentleman, some honest business; to the rich,
kind hearts and liberal hands; to the poor, warm firesides and food
enough, patient spirits, and the hope of better days; to our country, a
return of specie payments; and to you, sweet maid, the youth who stole
into your dream last night!  And next New Year's Day (if I find nothing
better to do in the mean while) may Time again bring to your doors your
loving little friend,
                       THE CARRIER.









End of Project Gutenberg's Time's Portraiture, by Nathaniel Hawthorne

*** END OF THIS PROJECT GUTENBERG EBOOK TIME'S PORTRAITURE ***

***** This file should be named 9252.txt or 9252.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/9/2/5/9252/

Produced by David Widger.  HTML version by Al Haines.

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.