The Project Gutenberg EBook of W. A. G.'s Tale, by Margaret Turnbull

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: W. A. G.'s Tale

Author: Margaret Turnbull

Posting Date: November 3, 2011 [EBook #9844]
Release Date: February, 2006
First Posted: October 23, 2006

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK W. A. G.'S TALE ***




Produced by Juliet Sutherland, Rebekah Inman and the PG
Distributed Proofreaders









W.A.G.'S TALE

EDITED BY

MARGARET TURNBULL

WITH ZOBZEE ILLUSTRATIONS
BY THE AUTHOR




CONTENTS


PREFACE BY AUTHOR

I.    UNCLE BURT'S BILLY
II.   OUR HOUSE
III.  OUR NEXT-DOOR NEIGHBOR
IV.   ON THE TOWPATH
V.    ON THE DELAWARE
VI.   GEORGE
VII.  LEFT ALONE
VIII. AT TURNER'S
IX.   THE WHITE TENT




ILLUSTRATIONS

I STARTED TO GET BETTER AND WRITE THIS BOOK (p. 153) (colored)
_Frontispiece_ From a drawing by M.L. Kirk

A ZOBZEE

ON THE BRIDGE

HE JUMPED OUT AND TOOK A ROPE AND PULLED THE BOAT CLOSE

SHE WASHED AND I DRIED

HE TURNED AND WENT INTO THE WHITE STONE HOUSE, AND ALL THE CATS RAN
AFTER HIM

HE SMOKED A PIPE, AND I PLAYED WITH ALL HIS TEDDY-CATS

BRINGS HIM DOWN, PERSIMMONS AND ALL

SO I TOOK MY FISHING-ROD AND FLICKED IT AT HIM

NEVER YOU MIND, BABY DEAR, COME ON

WHAT'S AN ABSENT-MINDED BEGGAR?

HEY, ROBINSON CRUSOE, HERE'S YOUR MAN FRIDAY

HE HAD TO TAKE A CAN-OPENER AND CUT AUNTY EDITH'S FOOT OUT

WE ALL WORKED WITH HOSE AND EVERYTHING

AUNTY MAY GOT A HATCHET AND MADE A CHOP AT THE SNAKE

I BELIEVED THEY HAD REALLY GONE AWAY, AND LEFT ME ALL ALONE

I TOLD HIM ALL ABOUT AUNTY MAY

SLID DOWN WITHOUT A BIT OF NOISE

I WOKE UP AND FOUND MYSELF LYING ON THE PORCH

AND IT WAS UNCLE BURT




W.A.G.'S TALE




PREFACE BY THE AUTHOR

I have been sick. Now I am better the Doctor makes me lie in bed because
of all that Anti-toxin he put in me, which weakens the heart. Anti-toxin
isn't a lady, it's a medicine for diphtheria. Aunty May is a lady. She
reads me books and plays games with me. But I am tired of books written
about nature, and animals, and Indians, and fairies, and I wished out
loud that somebody would write a book about a boy, just like me. So
to-day Aunty May brought me a big, thick blank book with red covers, and
with rings at the back to let me add more paper when I want to, and she
told me to write my own story, a little every day.

[Illustration: "Zobzee"]

So that's what I am going to do, and illustrate it with "Zobzees."
"Zobzees" are thin dancing people--like this. I invented that name, and
a country and a language for them, which only Aunty May and I know. But
I am not going to write my book in that. I am going to print it, like
other books, but draw "Zobzees" because they are easy; and if nobody
else reads it except me and Uncle Burt when he comes home, it will be
fun for us, anyway.





CHAPTER I


UNCLE BURT'S BILLY

My name is William Ainsworth Gordon, and my initials spell W.A.G. That
is why Aunty May and I call this book "W.A.G.'S TALE." If it was about a
dog it would be "Tail Wags." So it's true and a joke too.

I am ten years old and my father and mother are in Heaven, and I have
only Uncle Burt to take care of me. Uncle Burt isn't my real uncle, but
he was my father's chum when they were at West Point, and he promised
father to take care of me. And he does, only he had to go to the
Philippines with his soldiers; so his sister, Aunty Edith, is taking
care of me until he comes back. Everybody else calls me William, but he
calls me "Billy," so I am the one this chapter is named after.

Aunty May says I can begin with the very day Aunty Edith brought me down
here. That was the day Uncle Burt went away to join his regiment, and
everybody was sort of quiet, and even the big people cried a little. I
cried a good deal, when nobody was looking, and when Uncle Burt caught
me at it in the corner of the room, he didn't say a word, but just
picked me up and held me so tight that one of his buttons got stamped
on my cheek like a seal. He said he'd give way and cry, too, for it was
good for the eyes, only his Colonel had expressly ordered him not to,
saying he would leave all red-eyed men home, which would be terrible for
a soldier. So I begged him not to give way, and he said he wouldn't if
I'd stop, because one fellow bawling makes it hard for the other fellow
not to. So I stopped and we laughed a little, and then he showed the
mark on my cheek to Aunty Edith, and said, "This shows that this young
man belongs to me, so be careful of Uncle Burt's Billy and return him in
good condition, for there will be a dreadful time if I find him chipped
or broken, when I come back."

Then the lady I call Aunty May, though she isn't any relation to me
either, but is just Aunty Edith's friend, laughed and said she would be
careful to treat me nicely. And she has. I like her best next to Uncle
Burt. She didn't cry. She laughed a lot, and every time Uncle Burt got
sad and tried to talk to her, she laughed more, and she took me on her
lap and kept me there all the time Uncle Burt was saying good-bye
to her.

He looked more like crying then than any other time. He said,
"Good-bye, May; won't you change your mind?" and she said, "Oh, no,
Burt, I can't." Then he was going to say something else when I said,
"Remember the Colonel, Uncle Burt, and don't get your eyes too red to
go," and then they both laughed. Uncle Burt said, "Look after Miss Heath
for me, Billy, while I'm gone," and I said, "Sure I will. I'm going to
adopt her as my Aunty, too." She put her arms round me and hugged me and
Uncle Burt said, "Lucky Billy," and then the door closed, and Aunty
Edith began to cry and Aunty May looked queer for a minute and went to
the door. I thought she'd run after him, but she stopped and said,
"Come along, Sir William, and we'll pack our bags, 'cause we're all
going to the country on the 3.10." And I took hold of her hand, and we
went upstairs together, and packed my bag and put in my gun, my
soldiers, my books and my paint-box. Then Aunty Edith stopped crying and
tied a veil over her face. If she'd been a soldier she'd been left home
all right.

We got in a taxi with a lot of bags and things and went to the
Pennsylvania Station, which is miles and miles long, I think, but there
are lots of kind black men who wear red caps and run up and take your
bags and carry them for you just as easy, One of them took my bag and
Aunty May's suitcase, but Aunty Edith had another one--a fat one--all
alone for her things.

We just had time for our train, so we had to hurry right through the
waiting-room, and I couldn't stop and see all the things there are to
see, or watch the people coming down the stairs. People's legs are funny
if you watch them coming down--like things made with hinges.

Then we got into a nice big train with chairs in it that swung round.
They call it a "Pullman" which is a good name for a car, only it's the
engine that pulls the man and the car, too, really. Then we got all
comfortable, with another nice colored man who showed his teeth at us,
and put our bags up on a rack, and Aunty May gave me some sweet
chocolate and a magazine with pictures in it, and Aunty Edith said. "I
wish we didn't have to change at Trenton,"--and--then--I fell asleep.

The next thing I knew Aunty May was saying to me, "Wake up, Billy, dear,
it's Trenton now." She put on my jacket and the man took our bags again
and we stepped out on a big platform, and then another man took all our
bags and we went up one stair, and down another, and waited on a long
platform, where trains kept shooting up every minute.

I couldn't understand what the man in uniform said, until at last a
funny little train--all short, only half as long as our New York one,
and with funny, hard straight seats--came, and we climbed in. Aunty
Edith and Aunty May and me had to carry our own bags and fix 'em. The
train waited a long time, but at last it moved, and Aunty May put her
arm round me and sat me next the window, only it wasn't open, because it
was only April and wasn't warm enough yet, and said, "Now we're off to
East Penniwell."

The train just crawled along, and there was a big canal on the one
side. I saw a canal boat with two men and a dog on it, and they were
cooking something in a big pot on the top of a stove that stood right
out of doors, on top of the boat, with a stovepipe that didn't go into
any chimney, but right up into the air--with smoke coming out of it!

I showed it to Aunty May and she said, "You will see them every day when
we get to the towpath," and I felt awful glad at that, because though
the boat moved slow, the train moved fast, and I didn't get a good look
at the boy who was driving the mules. I couldn't be sure whether he'd
made a face at me or not, but I think he did.

Then by and by on the other side of the train came a great big river,
all fast and running along and some bubbling-up places in it where rocks
stood up. Aunty May said those were rapids and this was the Delaware
River, the one Washington crossed.

I think more of him than ever, now I've seen the river, for it's good
and wide and it must have been a cold job getting over it. I told Aunty
May I hoped it wasn't at the rapids he tried to cross, and she said,
"Oh, no," and "I'll show you," and presently the train stopped and the
conductor said, "Washington's Crossing," There was a big tree, where he
could have tied a boat if he'd wanted to. Aunty May said maybe he did;
and a white house where I guess the soldiers got something to eat and
drink. Anyway, I hoped so. Aunty May said she'd never asked, so she
couldn't say, positively, as it was so long ago, but it wouldn't hurt to
think they did. So I imagined it that way.

Then our train stopped at a station and we got out. I hadn't been ready
for its stopping, and I got so busy getting my things on, and getting my
bag in my hand, that I didn't hear the name of it, and I asked Aunty May
if it was East Penniwell, and she said, "Oh, no, this is Scrubbsville,
New Jersey, and East Penniwell is in Pennsylvania."

"Will we get into another train, then?" I asked, and Aunty May laughed
and said, "Oh, no, just wait and see." Then we got off and walked down,
carrying our bags, to a big bridge right over the Delaware.

There was a man sitting, at the end of the bridge, in a little house
with a window in it, and you paid him two cents apiece before you could
get on the bridge to go to Pennsylvania. He is the Toll-Man and it is a
Toll-Bridge, and it seemed to me very funny to have to pay to walk.
Aunty May said it was funny, too, but Aunty Edith said it was
a nuisance.

Aunty Edith asked the Toll-Man if we could leave our big suitcase
there, until Mr. Tree the grocer came over with a wagon for our trunks,
later, and he said, "Yes." He was a nice smiling man.

Then Aunty Edith and Aunty May and I, and Aunty Edith's bag and my
little one, which Aunty May carried because she said we had a long walk
ahead of us, went over the bridge.

[Illustration: On the Bridge]

The wind almost blew my cap away, but I caught it just in time, and on
the bridge we met a big man carrying a paint-box and a folding-up
stool, like Aunty Edith has, and he had an E-normous dog, as big as me,
and it galumphed at me, and I got behind Aunty Edith, for she is very
big both ways, and the man said, "Down, Pete," When the dog downed, he
shook hands with Aunty Edith, and she introduced him to Aunty May and
me, and he said he was glad to see us, and I could come and play with
his children up the towpath.

I said, "Yes, sir," but Aunty May and me kept away from Pete, because we
didn't know him then. We know him now and like him. The man said, "Wait
till I get back and I'll take you up in the launch." Then he went on to
Scrubbsville, and Aunty Edith said, "Such a pleasure to meet Mr. Turner.
Now William won't get tired walking up. Won't that be nice, William, to
go up the canal in the launch, instead of walking?" I said, "Yes, 'm,
Aunty Edith," to her, but to Aunty May I said, "Will that Pete be in the
boat, too?" and Aunty May whispered back, "Ow Gracious! I hope not. But
don't let him know we're afraid, old man." So I took her hand tight and
we followed Aunty Edith, who is an awful fast walker and always has so
many things to do.

First we went to the Post-Office, which is a little wooden building,
and the Postmaster knows everybody and looks at you over his glasses.
Then we went up a funny street with brick pavements, awful old. There
are houses on that very street built before the Revolution, and a big
cannon in the square. We went to Mr. Tree's, and he's a nice, big grocer
man, with everything in his shop, and he patted me on the head and gave
me a chocolate candy, which Aunty Edith said I might eat, if I ate it
slowly. He said he would bring our trunks and bags up right away. Aunty
Edith said, "Now I've got to order oil from Tryer and coal from Quick
and some thread from Miss Macfarland's notion store," and I said, "Why
don't the servants do all that, Aunty Edith?" She laughed and said,
"There are no servants for us at East Penniwell, William; we do the work
ourselves," Aunty May said, "But it will be fun, Billy. All the artists
like Aunty Edith live that way down here, and you and I will be the
writer people and we'll do lots of funny things together. Only, Edith,"
she said, "the boy and I are weary; where can we rest while you finish
your shopping?"

"Oh, very well," Aunty Edith said; "come and I'll show you the launch
and you can get in that and sit and wait for Mr. Turner."

We walked up a funny, hilly, crooked street, with partly brick
pavements again and partly stone, till we came to an old wooden bridge
over a canal, and then Aunty May squeezed my hand and said, "Billy, this
is our canal," We crossed the bridge, and went down a few steps and
there was Mr. Turner's launch. We got in and sat and watched the water
and made up stories to each other, till Aunty Edith and Mr. Turner came,
all full of bundles. Mr. Turner started the launch and we went
chug-chugging along. But Pete didn't get in. He swam part of the time
and ran and barked on the towpath the other part.

The canal boats came down past us, and they began to have lights on
them, and the trees were all green and hung down by the canal banks, and
I could see where the dogwood was beginning to come out in the woods.
There were some ducks swimming in the canal, and a farmhouse high above
us on the bank. Then nothing but the towpath, which is the path on one
side of the canal where the mules walk when they drag the canal boats.

By and by I saw two tiny white houses, with their roofs and chimneys
sticking up over the canal bank, and one of them had a funny green door,
and honeysuckle all growing over the fence. Mr. Turner never stopped
till Aunty Edith called, "Oh, we're going past," Then he stopped and
jumped out and took a rope and pulled the boat close to the bank, where
there were some stones placed like steps. I saw the two houses plainly
then, one a white stone one and one a white wooden one with a
green door.

[Illustration: He jumped out and took a rope and pulled the boat close]

We all stepped out, with our bags, and said good-bye to Mr. Turner, and
his launch went away up the canal past us, and Aunty Edith took a key
out of her pocket and went down a step, into the garden of the house
with the green door, and opened it, and said to Aunty May and me, "Come
in, children. This is OUR HOUSE."

[Illustration]




CHAPTER II


OUR HOUSE

Aunty May and I went inside, and we looked at each other and laughed. It
was small, like a doll's house, and the room we stepped into, through
the doorway, had a window the same side as the door, which looked out on
the towpath, and two windows at the back, and a stovepipe coming right
out of the floor and running up through the low ceiling.

When I went and looked out of the back windows, I called to Aunty May,
"Oh, see, it's the Delaware." And it was.

There, right at the foot of our back garden, under the willow trees, was
the Delaware River, running along, very fast.

I said, "Come on, let's go down to the river, Aunty May." But Aunty
Edith said, "First, look at the house."

We went through a little door into another long, narrow, low room, with
a window on the towpath and a window on the river, and a queer
old-fashioned bureau and two iron beds in it, and a clothes-horse, in
one corner, covered with muslin. When you opened one flap of it, it was
a closet. This was Aunty Edith and Aunty May's room.

In the other room, with the stovepipe in the middle of it, was a big
couch, and that was to be my bed at night. There was a big closet at one
end, made out of the place where the steps went up to the attic, and
that was where my clothes were to hang. One side of the room had
bookshelves, and on the wall were some of Aunty Edith's paintings; and
there was a doorway at one end without any door.

I said to Aunty Edith, "How do we get to the river from this house? Do
we have to go out of the front door and run down? And where's the stove
that the pipe belongs to? Is it in a cellar?" Then both the aunties
laughed, and they went to this doorway without any door, and there was a
funny thing that looked like a clumsy ladder. Aunty Edith told me those
were our best stairs, and that once they were canal boat stairs.

Well, you climbed down them very carefully, for they tipped a little,
and you landed on a dark little landing with a door. You opened the door
and stepped down a step and there you were in the nicest old kitchen
you ever saw!

The top part of the house was wooden, but this under part was of stone
and cement, and the walls inside were cement, and the ceiling was just
wood with the big floor beams showing through. And there was a door with
glass in the top, that you could look through down to the river and the
willows; and there was a window with a deep window seat you could sit in
and look at the river; then there was a long window at the side, where
the outside steps came down from the towpath, and that opened in two
halves and had narrow panes of glass. It looked out on a garden.

A big cook-stove, with a kettle steaming on it, was at one end of the
room; and a nice big table, and there were some comfortable chairs, and
pots and pans hanging over and under the mantel back of the stove.

There was a rug on the floor, and a pantry with lots of good things to
eat in it, and a big couch that I sat down on, and looked around.

There was a little place in the wall, too, that had once been a window,
but was closed up and made into a little cupboard for dishes.

I said, "My! isn't this lovely?" Aunty May squeezed my hand and said it
was, and Aunty Edith looked around and said, "Well, Mrs. Katy Smith did
get my postal in time, after all. I'm so glad, because if she hadn't,
it wouldn't have been so nice and clean in here, and there would have
been no fire. Now, I'm going to take off my things and make a supper
for us all."

Aunty May said, "I'll help you," but Aunty Edith said, "Not this first
time, May. You take the boy out and show him the garden and the river,"

So Aunty May and I took hold of hands and went out, and there was a long
flower-bed running right down to the river-bank, on both sides of a long
grassplot; and beyond the grass and flowers was a lot of ploughed land
for vegetables and things; and beyond that there were a lot of woods.
There was a path between the grassplot and the flower-bed next the fence
of our neighbor, in the white stone house, and we went down that, and
when we came to the end of the flower-bed there was a big apple tree,
and then we went under that and stood on the river-bank, and there was
the Delaware!

Under the biggest willow tree there was a seat made of an old box, and
Aunty May and I sat down for a minute and looked at the river. It was so
clear that I could see the little fishes swimming along, and I threw a
stick in it, and it went by so fast that Aunty May said, "My! how swift
the current is. You must be careful, Billy-boy, and not go near the edge
when you are alone." I said, "Yes, 'm, but I am to go in wading when it
gets warmer."

We went along the bank a little farther, and there were more trees,
cherry trees, and willow trees, and buttonwood trees, and lots of nice
places for us to put our hammocks. Then we went back to the house, and
there was Aunty Edith in a big gingham apron toasting bread and making
chocolate. I laughed and said, "Oh, Aunty Edith, I never saw you look
like that in the city." Then we all laughed, and Aunty Edith said, "You
will see me look like this very often down here, for we all have to do
our share of the work. You, too, Billy. You will have to help us." I
said, "That will be bully."

Aunty May set the table, and we all sat down and ate our toast and ham
and eggs, and drank our chocolate, and I thought it was better than
anything I had ever eaten.

Just when we were in the middle of it, I heard footsteps crunching along
the walk, and down the steps at the side of the house from the towpath.
I called, "Some one's coming." Aunty Edith went to the door.

It was Mr. Tree with the trunks and the suitcase. He said, "Hullo,
young fellow. Have you come to take care of these ladies?" And I said,
"Yes, sir"; and he said, "That's right. Look after 'em. It'll be a load
off my mind to know they've got a man on the premises. It's right lonely
up here." And I told him we wasn't afraid. I asked him if he needed any
help, but he said no, and he was so terrible big and strong that he
lifted the trunks as if they were boxes.

After he had gone, Aunty Edith said she must unpack, and Aunty May said,
"Do, Edith; Billy and I will do the dishes."

So Aunty May tied a big clean towel around my waist, and she washed and
I dried. There was no running water, just a pump outside the kitchen
shed, right out of doors.

[Illustration: She washed and I dried]

I pumped for Aunty May and we had a lovely time. We played a game with
the dishes. Plates were ladies and saucers were little girls, and cups
were little boys, and knives and forks were policemen and spoons were
servants. We had a lot of fun, when the knives and forks marched round
the table, and ordered the other dishes into the cupboard.

After that was done, Aunty May said she must go upstairs and help Aunty
Edith, and unpack her own typewriter. Aunty May writes stories, too,
only she uses a typewriter and I use a pencil.

Aunty May asked me whether I'd sit in the window seat and read a
picture-book or would I explore the garden. I said I would do both; look
at pictures a little while and go in the garden. Aunty May made me
promise not to go too near the river, or too far down the towpath.

Then she went upstairs and I read a little till I had enough of
reading, and I thought I'd go to the towpath, but first, as I was
thirsty, I thought I'd get a glass and take a drink at the pump. But
when I tried to pump, the pump-handle just went up in the air, and
wouldn't pump up any water!

And just as I tried it again, I heard somebody say, "That pump handle
oughter been left up in the air. Say, young feller, you gotter pour some
water down first. That pump ain't been used stiddy for some little while
back. Ease it up and she'll go all right."

[Illustration: Turned and went into the house, and all the cats ran
after him]

I turned around, and there, leaning against the fence, was an old man
with big blue eyes and a white mustache, and a pipe, and a plaid vest
and a soft hat, and the biggest lot of cats I ever saw. Seven of them,
white and gray and black and mixed colors, all looking up at me.

I was so surprised that I didn't know what to say. But the old gentleman
said, "Wait here, and I'll fetch you a kittle of water," and he turned
and went into the white stone house, and all the cats ran after him. But
he shut the door tight, and the cats sat waiting and mewing on the back
porch, and I held on to the pump-handle and waited too.

[Illustration]




CHAPTER III


OUR NEXT-DOOR NEIGHBOR

In a minute he came out with a tin pail in his hand, and all the cats
ran after him, and he said, "Shoo, Teddy," and they ran away a little
bit, but came back and mewed and rubbed against his feet. He handed me
the pail across the fence, and I took it, and he said, "A little at a
time, boy." Then he went up to his porch and got a big dish and said,
"Here, Teddy, Teddy," and all the cats ran to him, and he fed them.

I stood watching him, and he said, "Why don't you ease the pump?" and I
said, "If you please, sir, which one of your cats is Teddy?" He said,
"Sho, boy, they're all named Teddy after President Roosevelt, and
because it saves trouble. When I calls, 'Here, Teddy,'--they all comes.
When I calls, 'Shoo, Teddy,'--they all shoos," And I said, "That's the
best idea I ever heard of--for cats."

He said, "Now, boy, you lift the handle of that pump high and throw some
water into her, and then keep a-pumping." And I did, and the water came,
and I pumped up a glassful, but he wouldn't take any.

Then I said I'd fill the pail and bring it round because I'd like to
see his cats close to, and he said, "Never mind the pail, young fellow,
jist hand it over and come round yourself,"

[Illustration: He smoked a pipe, and I played with all his Teddy-cats]

So I did, first calling to Aunty Edith to ask if I might, and she came
to the door and shook hands with him, over the fence, and said, "How do
you do, Mr. Taylor. This is William Gordon, the son of Captain Gordon, I
told you of." Then he said, "Sho, you don't meanter say it! I served
under his grandfather." And Aunty Edith said to me, "William, Mr. Taylor
was a soldier in the army all through the Civil War, and he can tell you
lots about it." So I went over to his house and we sat on his back
porch, and he smoked a pipe, and I played with all his Teddy-cats.

[Illustration]

Mr. Taylor told me he was seventy-three years old, and I said, "My! I'd
never guessed it, you look younger than that"; and he said, "Yes, boy,
I'm stepping along."

Then he told me when he was a boy he worked on one of the canal boats,
and at that time there were many more boats, for most of the freight,
that goes in freight trains now on railroads, came down the canal in
boats. After that he enlisted in the army and went away out West. He
told me when he was young the West was the West, and you could shoot
buffaloes. He knows because he shot them. Then when the Civil War broke
out, he stayed in the army, enlisted again and fought all through it,
and came home with a bullet in his leg.

His father was a cooper and built the stone house Mr. Taylor lives in
for a cooper shop, and that was why it was built so solid and had such
thick walls. He took me into the cellar and showed it to me, for that
was where they set the iron hoops to cool. I asked him who lived with
him in it, and he said he was all alone, everybody was gone, he said,
but him. I told him about my father and mother then, and how I would be
all alone if it wasn't for Uncle Burt, and he said Uncle Burt was a fine
man and a good soldier.

He said he was glad I lived next door. I told him I was glad, too. He
asked me if I went in for any kind of sport like shooting; and I said,
not yet, but I climbed trees, and he said, when his cherries were ripe,
if I didn't make myself sick on Aunty Edith's, I could climb his, when
he was around.

Then I asked him if he would tell me a story about the Civil War, and he
laughed and said the most of them were too full of fighting and sad
things for a little boy like me; and I told him I didn't mind them being
a little bloody; that I wasn't a kindergarten baby.

He laughed some more, and said: "Speaking of climbing trees makes me
think of how near I was to being captured by some rebels once. You know,
boy, Quakers is agin all fighting, so at the beginning of the war, when
we regulars was sent to drill with a lot of new men and knock them into
shape, I was some surprised when fust thing I seen was young Jim Wilton,
whose father I knowed to be a Quaker living on the corner of the same
street where my uncle lived in Phillydelphy.

"I says to him, 'Hullo, Jim, what you doing here?' and he said, 'Well,
Tom, I come here to larn you how to fight.' 'And you a Quaker's son,'
says I. 'Yup,' he says, 'and thee knows that my old folks is none too
pleased; but somehow I couldn't stay home comfortable with all the other
boys fighting to free the blacks, so here I be.'

"Well, I was right glad to see him, and get news of all the old
neighbors, and Jim and me gits very chummy; and when there's a piece of
business needing the attention of one of us, it usually gits the
attention of both. Me and him hunting in couples as it were.

"That's how it come about that one time, there being a bit of spying to
be done, me and Jim finds ourselves in rebel uniforms, waiting and
listening beside a camp-fire outside the rebel Gineral's tent, using our
ears and our eyes too. When up rides Gineral Stuart, who used to be my
commanding officer in the old days before he turnt reb, when he was in
the regular army.

"My! but I was in a terrible taking, for Stuart had a gredge agin me for
somepin I'd done. I'll tell ye about that another day. 'T warn't me was
to blame. But if he onct caught sight of me, it would be short shrift at
the end of the rope.

"So Jim and me begins edging away, until we could get a gait on without
being noticed; and get away we did, and into the woods where our own
clothes were hid; made the change and was getting back to our own
quarters, happy as larks to be on the home road; laughing to think how
near we'd been to Gineral Stuart, without his knowing it; and patting
ourselves on the back at how neatly we'd done the trick, when Jim looks
up and says, 'Hey, Tom, look at them persimmons,' Sure enough, there was
a tree full of the nicest ripe persimmons you ever see, right in
our way.

"Now our rations hadn't been any too full lately and we were pretty nigh
hungry all the time.

"'Tom,' he says, 'I uster be the best tree-climber in the county. I
gotter get me some of those,'

"'Aw, Jim,' I says, 'don't be a fool. The woods may be full of rebels.
I'm full as hungry as you are, but I ain't going to stop for any
persimmons.'

"'Just a handful,' he says, 'and it won't take a minute. Will you wait?'

"'No, I won't,' I says, being so doggoned tired that I knew if I sat
down I'd fall asleep. 'I'm for pushing back to camp, and if you ain't
all kinds of a foolish boy, you'll do the same.'

"So I went on, and Jim, he gives me one look, and then he gives the tree
a squint, and sho! he was off and up it before you could say 'Jack
Robinson.' Climb! well, rather. He was up it in no time, and eating and
slinging the persimmons into his hat. It made me so mad that I just
naturally turned my back and went right on.

"Suddenly I hears a kind of whistle that was our signal--Jim's and
mine--to look out for trouble. So I drops right down and rolls over into
the bushes, and draws them over me, so I can't be seen. Then I lays
quiet and listens.

"I hears voices, and turning my head so softly that the bushes don't
move, I peeps out and sees a party of rebs a-coming down the path.
They'd seen Jim, just after he'd give me his warning, and they lays for
him under the tree, and one of them rebs, who was just as handy at the
climbing as Jim, goes up and brings him down, persimmons and all. The
rebs laugh, and eat his persimmons and take him prisoner and march off;
Jim allowing that he was so hungry that he'd stolen off by his lonesome
to get something to eat. One of the men had heard the whistle Jim gave,
but Jim explaining that he whistled in surprise at seeing them, they
only beats up the bush a little, not coming near me.

[Illustration: "Brings him down, persimmons and all"]

"They go off, with Jim never so much as looking my way, though they
passed so clost to me that the lieutenant's heel scrunched my little
finger. I had to take it without hollering or moving, for if I had
they'd taken me along with Jim. And that's what tree climbing brings a
man to."

"What became of Jim?" I asked.

"Oh, Jim, he was kept a prisoner all through the war, so he never got no
enjoyment out of his life, never seeing a bit of real fighting--just
marching and drilling and prison. So that, as he said, he might just as
well never 'a' run away,--seeing he had to bide a non-combatant, which
is the same as Quaker, after all."

"Then he didn't like it, did he?" I asked.

"No," Mr. Taylor said, laughing, "he didn't. And let this be a warning
to you, young man. Don't you go up a tree for persimmons or cherries or
other fruits whatsomever, agin the advice of your elders and betters."

"No, sir, Mr. Taylor," I said, "I never will."




CHAPTER IV


ON THE TOWPATH

Our house is so nearly on the towpath, that the mules eat the
honeysuckle from the fence, and as there is only a tiny flower-bed
between the house and the fence, you can hear the voices, and the
tramping of the mules, as plainly indoors as out.

At night, when you wake up in the dark, you think they are coming in.
That's at first. By and by you get so used to them that you don't
think about it.

One reason why we came down so early in the spring is that I'm not to
be sent to school until the fall, because I'm not to use my eyes too
much, until they get stronger. Measles made them a little weak. So I
have one hour with Aunty May for reading and sums, and half an hour with
Aunty Edith for French; and then I don't have to do anything else for
the rest of the day, until nearly dark, when I water the flower-beds for
both the aunties.

But from eleven until four, except at lunch-time, I must not bust into
the house and holler at Aunty May--for she is writing; and I must not
run after and plague Aunty Edith, when she goes up the towpath--for
she's painting.

Mr. Taylor, being seventy-three, can be spoken to at any time, except
when he's doing his baking. Then he doesn't want anything or anybody
round his feet, he says. Just as if I was cats!

This morning I'm writing about. I was out on the towpath, fishing for
eels, so I could put one in the tub which stands by the pump to catch
the overflow; because Aunty May is very much afraid of snakes and eels,
and she squeals so funny when she sees them that it is what Mr. Taylor
calls "a fair treat" to hear her.

I thought if I got her good and scared with seeing one in the tub, she
might be so mad that she'd not be able to write, and would chase me
round the garden.

It's too bad Aunty May's grown up. She likes to play as well as any boy
I know, and she's good at it, too, if it wasn't for her writing. Uncle
Burt used to complain of that writing, too, when he was home. He said it
interfered a lot--when he wanted her to play with him.

Anyway the eels didn't bite, but I thought maybe I'd get a sunfish, and
that's nearly as good a scream-starter, if Aunty May doesn't expect it
to be there.

All at once, I felt my cap pushed right off, and I looked up and there
was a boy, riding on the top of an old gray mule, that was one of two
tired-looking mules, dragging a canal boat.

There was nobody on the boat that I could see, 'cept one man asleep on
the top.

"Gimme my cap, boy," I said.

"Aw, you and your fishin'," he says. "Git off the towpath."

And I said: "You can't say that to me. We've got the right of way here,
because I live in that house with the green door."

"Oh, you do," says he. "Well, baby dear, go in and tell yer wimmin folks
ye've lost your cap"; and he chucked my cap right into the canal!

Well, I couldn't get it, without falling in, and there was the
canal-boat coming along ready to run over it. So I took my fishing-rod
and flicked it at him, and there--I had caught the eel after all! It
struck him, all cold and slippery, and he yelled, and it hit the mule,
and the mule ran away, dragging the other mule with it, right up the
slope to Rabbit Run Bridge!

[Illustration: "So I took my fishing-rod and flicked it at him"]

The boy had grabbed the fishing-rod, so that my rod and my eel went
with them.

My! but I was mad, but kind of excited, too, for a man came up from the
inside of the canal boat and yelled, and the man on the deck woke up and
yelled, and the boy was yelling!

There was a farmer driving along the road and across the bridge and when
he saw mules coming, lickity-split, where mules never come,--right up to
the bridge,--he yelled too, and licked his horse to get out of the way.
The boy, he licked the mules with my rod. He'd thrown my eel back into
the water.

He was as cool as could be, and by and by he got the mules calmed down,
and one of the men from the boat jumped off and helped him and they got
the ropes all straight again and started off. The boy never said a word,
except when the man asked him what did it. Then he told him, "The mule
didn't like the looks of that baby boy there on the canal bank." The man
shook his fist at me, and I called, "Gimme my cap." And the boy said,
"Wait till we come back"; and he made an awful face as they went away,
turning round and riding backwards to do it.

I knew then that he was the same boy that made a face at me when I was
in the train.

Well, I had to tell Aunty Edith, and she looked very severe, and gave
me my second-best cap and said, "William, do be careful, this time." But
I only told her that the boy threw my cap into the water. I didn't tell
that he said he was coming back.

But I talked to Mr. Taylor about it, and he agreed that when I saw the
boy again, I'd have to have it out with him, and he'd stand referee to
see that there was no unfair advantage took of me or him.

"For," says he, "you can't be called baby darling free and often by them
boat boys, and neither can you eel them boat boys and scare their mules.
All things being equal, you ask him his intentions next time and come
to some mew-tual feeling on the matter, which won't reach the ears of
your Aunty Edith. The ears of your Aunty May," say she, "could be
reached and enjyed by them fine, if took alone, and without t'other
Aunty present."

Well, every day I kept a watch-out for that boy, and for a whole week I
didn't see him.

One Monday, Aunty May asked Aunty Edith if I couldn't go down,--it was
raining,--if I put on my raincoat and boots, with Mr. Taylor, when he
went to the mail, and bring her some stamps and stamped envelopes. Aunty
Edith said, "Oh, all right, May, but it seems to me you eat stamps.
They disappear so fast." Aunty May laughed, and said,

"Be-that-as-it-may," which is what she always says when she wants to
stop discussing, "William goes."

So I got ready, and Mr. Taylor and me started down. It's a mile away.

Mr. Taylor doesn't like umbrellas, neither do I, so, as it was only
misting, Aunty May said I needn't.

Just as we got to Rabbit Run Bridge, who came along, with his mules, and
the same canal boat, and the same man asleep, under an umbrella this
time, but that BOY!

Mr. Taylor says, that the et-i-ket of such things makes him leave me
and go sit on the bridge while I had it out. So I went down and said to
the boy, "Hey, you, where's my cap?" And he grinned and said, "I give it
to your eel. He's a-wearing of it now, and it looks fine on him."

That strikes me so funny that I began to laugh; then I remembered that
wasn't what I wanted to do. So I says, "Come on down till I polish you
up for what you did to my cap"; and he says, "I'll be down in a minute
to fix you for what you done to my mule. I've gotter put him in trousers
to-morrow, his legs is so damaged."

Then I began to laugh again, at the thought of a mule in trousers. "Aw,
come on down," I said. "You ain't got any trousers for him." "Have,
too," he said; "I'm making them spare minutes out of Turkey red. And
when I adds brass buttons and pockets I'll put 'em on, the next time he
passes your house."

I began to laugh again, and then he jumped down, and before I knew it
hit me a punch on the nose. That made me so mad that I hit at him and it
struck his leg, and he said, "Ouch," and jumped so that I looked at his
leg, and saw it was black and blue already.

"Who did that?" I said.

"Never you mind, baby dear," he said: "come on. If my leg did get
catched between the boat and the bank and ground agin a stone this
morning, I can still fight an eel-catcher."

[Illustration: "Never you mind, baby dear, come on"]

And he hopped up to me on one foot, and I saw he wasn't much bigger than
me, maybe eleven or twelve, and he had all he could do to keep from
crying because his leg hurt him so; but he was so quick that I just had
to dodge to get out of the way.

"Say," I said, after I'd gotten out of his reach, "I don't want to hit
you when you're hurt. And anyway," I said, "I don't know that I care
about fighting with anybody who can make eels wear caps and mules red
trousers. Wait a minute and I'll get a clean rag and some witch-hazel
for your leg."

"No, you don't," he says; "I ain't going to be fussed over, but if you
gotta pitcher-book, like the one I seen you reading one day, that, an'
something to chew'll keep my mind off my leg, and when it's all right
again, I'll come past and smash you into bait for eels."

That didn't seem quite what I wanted, but I told Mr. Taylor the boy was
hurt and I couldn't fight, and he said "Certainly not--agin
reg-u-lations."

Then he said he'd wait for me a minute, and I ran back home, because I
knew I'd get there faster than any canal mule, and I bust into the room,
and told Aunty May, and first she didn't like my busting in like that,
and then she got interested. She gave me a picture-book and a piece of
rag, and some witch-hazel in a bottle, and a big piece of cake. When I
got out, the boy was just coming up to the fence, and Aunty May wanted
to tie up his leg for him, but he wouldn't. So she explained to him
that the stuff in the bottle and the rag was for his leg, and he said,
"Yes, 'm, thanks," and then she went in the house quick, so's I could
speak to him myself. I'd asked her to.

He said, "Well, eel-catcher, this will help me some. And if I pass this
way agin, I'll look you up."

"Oh, do," I said.

"Want yer book back?" he calls.

"No," I said, "when you get through with it, give it to the eel."

"No," says he, "he's not fond of reading, but I know an old mushrat
that's fond of anything like print. I'll give it to him, so any time you
see him reading it by moonlight, with his spectacles on, you'll know
it's my friend."

"Oh, come back soon," I called, "and tell me more about it"; for he was
getting slowly and slowly away from me.

"I will," he shouted, "if I don't make a mistake and swallow the
witch-hazel."




CHAPTER V


ON THE DELAWARE

I thought I'd never get tired of having a river at our back door, but
one day I nearly hated the Delaware.

This is how it happened: Aunty Edith had a rowboat with a place in the
stern where you could fix a big sketching-umbrella, and go sketching
without getting too sunburnt; and when I was very good, 'specially good,
I could go with her.

When I was just ordinary good, and Aunty Edith wasn't using the boat,
Aunty May and I used to borrow it and play "Robinson Crusoe," and Aunty
May made the funniest "Man Friday" you ever saw. She would pretend not
to know any language but "glub-glub," and so I had to teach her the
names of things and she would shake all her hair down and dance a
war-dance, when I got her to understand. This was when we'd reached our
Island. There was one across the river from us, and on a corner of it we
used to picnic and play.

Mr. Turner's children all were girls, and they went to school, or had
music-lessons, or something, so I only had them once in a while to play
with, and then they always wanted to play fairy-tales, and make me the
Prince. I hate Princes because they're always bothering about finding
some Princess. I'd rather have been an Ogre or a Dwarf or a Bad Giant.
They had some fun. But the girls always got their Indian Boy to be
those. He was a big boy from the Carlisle Indian School, who came in the
summer to help about the house and the grounds, and he was great fun. He
showed me how to make bows and arrows, and taught me how to swim and
things like that, and how to push off a canoe. But mostly Aunty May was
the one I had to play with right on the spot, and just when you'd made
up your mind that she was a grown-up and wouldn't do it, she'd begin
some funny thing, and she was almost as good as a real boy.

Well, Mr. Turner had a man visiting him, a painting-man, and he came
down to see Aunty Edith, and they put their heads on one side and
screwed up their eyes, and looked at paintings, and had tea, and talked
about art so long that Aunty May and I couldn't be quiet any longer, but
just had to go down into the garden and play Wild Men of Borneo. That
means taking a beanpole and yelling and dancing and trying to see who
can vault and jump the farthest with the pole, and when you win you
say, "Glug-Glug."

We were right in the middle of this, and Aunty May was a little
red-faced, and her hair was kind of wild, when we heard somebody laugh,
and there was the painter-man down by the river, laughing as hard as he
could laugh; and Aunty Edith trying to look severe at Aunty May and not
able to, on account of her looking so comical. She had a black smudge
from the end of the beanpole, which had been in a bonfire, across her
forehead. You see she had just jumped the farthest, and was hollering,
"Glug-Glug."

Aunty May laughed pretty hard, too, and we all laughed then, and Aunty
May went up to the house to turn into a clean-faced grown-up again, and
Aunty Edith unlocked the boat and handed the big umbrella to the man and
told him to use the boat as often and as long as he liked. He put his
paint-box and sketch-block in, and got in himself, and I stood looking
at him, wishing he'd ask me--when he did.

"Want to come, young man?" he said, and I said, "Yes, I'll take my book
and my fish-line and be very quiet. May I, Aunty Edith?"

Aunty Edith said, kind of doubtful, "I'm not going, William. Maybe you'd
better not."

Well, I guess I looked awful sorry at that, for the man said, his name
was Mr. Garry Louden,--"Oh, let him come, Edith, I'll look after him";
and Aunty Edith said, "But you're such an absent-minded beggar, Garry,
and this is Burt's most precious charge."

"Oh, he'll be all right," Mr. Garry said; "I'll bring him home right as
a trivet. Hop in, son."

So I jumped in and waved good-bye to Aunty Edith, and we started up the
river.

[Illustration: "What's an absent-minded beggar?"]

"What's an absent-minded beggar?" I asked Mr. Garry, and he said, "Oh,
a fellow like me, who's always got his head full of pictures and things,
and forgets what he's at."

"Then you don't really beg for anything, do you?" I said.

"Lord, no," he said, "except when I'm out with talkative young sports,
and then I beg them to keep quiet."

So I took my fish-line and sat still as a mouse, while he looked up and
down the river, and whistled to himself--when he got a good idea, I
guess, for after he'd whistled some, he'd let the boat drift and make
marks in his sketch-book. He was a nice man, but not used to little
boys, I think, for he used awful big words, and didn't answer questions
like Aunties and Uncles do.

By and by I told him about the Island, and he said, "Right you are,
young Soc-ra-tees," and we landed there, and he kept saying, "Ripping,"
"Splendid," and things like that, and by and by he fished out some
sandwiches and sweet chocolate from his pocket, and gave me some, and
told me to stay there while he rowed around and explored farther up the
side of the Island. I said, "All right," for with things to eat, and a
nice brook, and a shady place, and a book, no boy need have any trouble
finding things to do to keep himself amused. And I didn't.

I made a ship, and loaded it, and I made a fort on the other side of the
brook, and when the ship came near the fort, the men from the fort came
out and had a fight and sank her. Then when I got tired of that I read
my book, and I read all I wanted to, and still Mr. Garry didn't come
back. I could hear voices on the river, and once in a while a canoe shot
past, but none of them was Mr. Garry, or Aunty Edith's rowboat.

By and by they stopped coming past and then I got up and went along the
bank and looked for him. I could see, way across the river, a little
white speck, shining through the trees, which I knew was our house.

My! didn't I want to be there! I didn't have any matches, of course. I'm
not allowed to carry them. I couldn't make a fire, or anything, though
it began to get dusky, and still Mr. Garry didn't come.

Then, suddenly, I remembered that he was an absent-minded beggar who
forgot things, and maybe he'd forgot me. That made me feel awfully queer
and lumpy inside me, and besides I was getting tired.

Nobody lived on that Island, except maybe some ground-hogs and
squirrels and snakes, and--it wasn't any place for a boy who didn't have
any food or tent or fire.

First thing I knew, when that struck me, I heard myself bawl--right out,
"Oh, Aunty May--COME! Oh, Aunty May!" and then I was really frightened,
for it sounded so loud, and so scared, and so babyish.

I kept still for a minute, and swallowed hard and then I yelled, "Hey!
Hey!" out loud, without crying--hoping somebody would hear me. I did it
a great many times, but nobody answered. Then I remembered that the boys
were always landing here and hollering and shouting in fun, and nobody
would pay any attention to it.

I tried to remember what Uncle Burt'd do if he was caught like this,
and little like me. I thought maybe he'd take off his shirt and wave it,
but then I remembered it'd be too dark to see. But anyway I guessed I'd
better do something, so I took off my blouse, and put my sweater on, and
tied my blouse to a tree, and it waved, quite fine, for there was a
little breeze coming up. I tried rubbing sticks together for a light,
but whoever made up that plan must have had stronger arms and hands than
I had, for I rubbed till my arms ached so that I cried some, but I
didn't get a single spark of light.

By this time it was very dark, and I was so hoarse with hollering, and
so aching in my arms with rubbing sticks, and my legs hurt so with
running up and down trying to see a boat or something, that I just
dumped myself down on the grass and cried--and--I guess I--fell asleep.
For the next thing I knew I heard some one calling my name, kind of
loud, and kind of scared, "Billy, Billy, darling, are you there?" It was
Aunty May in a canoe. I tried to call to her, but I was so hoarse and
tired, I just made a kind of noise in my throat.

[Illustration: Hey, Robinson Crusoe, here's your Man Friday]

Then I was so afraid she'd paddle away that I let out the finest yell
you ever heard, and Aunty May called out, "Hey, Robinson Crusoe. Here's
your Man Friday"; and she slid the canoe up to the bank, and I fell in
so stiff, and she hugged me so hard, that it's a wonder we didn't upset.

[Illustration]

Usually I don't like hugging, but this time it was all right.

Then Aunty May told me that she had begun to get worried and so had
Aunty Edith, knowing that Mr. Garry was an absent-minded beggar. Aunty
Edith had gone up to Mr. Turner's to find if he was home, but Aunty May
had insisted on going out in the canoe, though Mr. Taylor didn't like
her to alone, and Mr. Taylor had gone down the towpath, toward the
village, looking for us. Well, wasn't Aunty May mad when she found out
how long I'd been alone and how badly I'd wanted her. She just paddled
as fast as she could, and all the time pretended that we were wild
savages who would catch Mr. Garry and put him on a desert island, just
to see how he'd like it.

As we got nearer our house there were lights along the river-bank, and
we called and a big boat came up to us, and in it was Mr. Garry, with a
very white face, and Mr. Turner and Aunty Edith, and she was crying so
hard that she couldn't see me at first.

When Aunty May said, "Don't cry, Edith, he's here," and handed me over,
she gave me such a hard squeeze that I couldn't speak for a minute.

Mr. Garry all the time kept saying, "Say, old chap, I'm sorry, but I am
such an absent-minded beggar." Aunty May said, "Yes, but you'll never
have a chance to get absent-minded with this boy again."

He looked terribly sorry, and begged my pardon again, and I told him,
"It was all right, only I didn't care to play Robinson Crusoe so
truthfully--at night."

They hurried me up to the house and gave me warm things to eat and
drink, and let me stay up longer than usual.

Aunty May wouldn't let Mr. Garry touch me or help her at all, and even
Aunty Edith wouldn't hardly speak to him, till they found I was all
right and not hurt any, except my blouse, which was left on the Island.

Mr. Garry gave me his own silver pen-knife, before he went away, so that
I would "nevermore defenseless be," as he said, and we were quite
friendly. But after he had gone, I heard Aunty May say that "Never would
that absent-minded beggar take her boy away again"; and Aunty Edith
said, "He's Burt's boy, not yours."

Aunty May didn't say anything, so I called out, "I'm your boy, too,
Aunty May. Uncle Burt said so, and I'll never, never go out with an
absent-minded beggar on the river again."

And I never have.




CHAPTER VI


GEORGE

For a while, I did have a real boy to play with, right in the house. It
happened this way:--

Martha, who is Aunty Edith's colored washerwoman in the city, had a boy
called George, who used to bring the clothes home. He was a little older
than me--twelve years old--and he was always smiling, and his teeth were
white and his eyes shiny. And when his mother wrote Aunty Edith that he
was poorly, Aunty Edith had him sent down for a week--on trial, to stay
in the attic above my room, and do the dishes for the Aunties, and run
errands. He was to stay longer, if it was all right.

I wish it had been, for George was awful funny. He was very obliging,
too, and I liked him. So did Aunty May, for he remembered all the
stories his teachers had told him in school, and he would tell them to
Aunty May and me, when we sat down under the willow trees, and we
just loved it.

What Aunty Edith didn't love was what he did with the green paint. Aunty
Edith had a lot left over in a pot after the kitchen was painted, and
she thought it would be nice to paint the chairs and tables that we used
out of doors.

We used to have breakfast and lunch, and even dinner, out in the little
grapevine-covered back porch, which had a cement floor, level with
the ground.

So just to keep George happy, Aunty Edith gave him that to do. He
commenced it while Aunty May and I were doing lessons, and we could hear
Aunty Edith explaining--Aunty Edith always does the explaining--and
George all the time saying, "Yas, 'm, yas, 'm, Miss Edith." And by and
by Aunty Edith came in and we could hear George whistling and singing.
George did sing awful loud, and funny songs, so you'd have to stop
and listen.

This morning he kept singing something about a man named "Sylvester,"
and he kept singing out the same thing over and over again, till Aunty
May said, "Oh, dear, I can't hear myself speak. Edith, will you quiet
the blackbird?" And Aunty Edith called to George not to sing so loud,
and he said, "Yas, 'm, Miss Edith"; and the next minute it began louder
than ever.

Then Aunty Edith went downstairs to tell him to take his work farther
away from the house.

She hadn't been gone a minute till we heard her say, "Oh, good
gracious, what shall I do? Come here, George, and see if you can take it
off." George kept saying, "Yas, 'm, Miss Edith, yas, 'm"; and Aunty
Edith was being so very spluttery, that Aunty May and I leaned out the
window, and then we jerked our heads in and Aunty May said, "Don't you
dare laugh out loud, Billy."

Then we looked again, and jerked our heads inside the window every time
we felt the laugh coming on, which was pretty often, for you see George
had put the paint-can, a small one, right on the doorsill, and Aunty
Edith had put her foot in it, and it had caught.

There was Aunty Edith holding on to the grape-arbor while George pulled
at the can, and the paint flowing around pretty free. Well, George
couldn't pull it off, and finally he had to take a can-opener and cut
Aunty Edith's foot out, just as though she were salmon, or something.

When we got to that part, Aunty May and I forgot ourselves and laughed
out loud, and then Aunty Edith looked at us, and looked at her foot, and
at George's black face all daubed with green paint, and his clothes,
too, as he carefully cut her out, and she laughed, too. But it spoiled
her shoe, and it took several days to wear the green off George.

[Illustration: He had to take a can-opener and cut Aunty Edith's foot
out]

That was the too bad part of it. George was so fine for singing and
telling stories and he just couldn't remember to do anything else.

When he went for the mail and the groceries, unless I went with him,
he'd forget everything, and come home just as smiling as ever.

And he was brave, too, for he used to chase the village boys when they
ran after him and called names, and besides that he and I built a lovely
Filipino house up in the biggest willow tree, and had lots of fun,
escaping from two boys at the farm across Rabbit Run Bridge, who chased
us and tried to catch us. We got up in our tree-house and shot at them
with bows and arrows, and they couldn't reach us. I liked having George.
If he'd only stayed funny, without getting dangerous. But George got
dangerous.

It was this way: George and the two boys on the farm, Samuel and Charlie
Crosscup, were having a talk on the middle of Rabbit Run Bridge, about
fire engines. Samuel said the East Penniwell fire engine could get up
steam and run to a fire, with Sol Achers's old white horse hitched to
her, quicker than a New York fire engine could. George and me said it
couldn't. He said, "It could, because why? The East Penniwell horse and
engine were used to the roads and the New York horses and engine would
have to be showed."

I couldn't think of anything to say, but George said, "No, sah. Dat
ain't noways so. For de New York fire engines and horses is so trained
that they goes over any road and anywhere according as the Fire Chief
he directs, and it doan mek no difference whether they've been up
dataways befo' or not They jist naturally eats up all distances."

Well, that made the Crosscup boys mad, and they kept telling all about
the East Penniwell engine house, and my! it must be a lovely place, if
all they say is true. George he told them then about the New York engine
houses, and my! they must be splendid if George really knew. He said he
did. He said his mother's cousin washed for three firemen and she'd
oughter know. I guess she ought to, but George did remember so much
about those things, and forgot so quick about others, that sometimes I
really didn't know what to be sure about.

Well, it began to rain, and George was going to take me home, when one
of the boys said, "Aw, don't go home, yet. Come on into the old barn and
let's play knife until the rain stops."

I guessed we'd ought to go home right away with the bundles and change,
but George said, "On no account can I git you wet. Miss Edith wouldn't
stand for that nohow." So I went with him. And we played knife on the
floor. It was a big empty barn. That is there weren't any cattle in
it, just hay.

It stood a long way from the house, and on a little hill. By and by the
thunder and lightning got quieter, but the rain made it dark, and I
said, "Oh, George, let's go. It's too dark to see in here anyway." But
George wouldn't go until he had finished his game, and when the other
boys said, "It's too dark to play knife any more," George said, "Let's
play robber's cave. I got something in my pocket will make it light." He
took out a box of matches and a candle-end, and said, "Let's stick it up
yere, and then play robbers. This'll be the den"; and he put the candle
into the neck of an old bottle.

I said, "Oh, George, Aunty Edith doesn't let you have matches." George
said, "Look yere, these matches was give me to-day, and this ain't Miss
Edith's barn. If these young gemmun is willing to play in their father's
barn with a candle, you ain't got no call to say anything, has yer?" And
the boys said, "Aw, it's all right. Come on. William ain't yer boss.
He's nothing but a kid anyway."

Well, that made me mad, and I wouldn't play robbers with them, and I
slid down to the barn floor, and went to the door, and looked out to see
if it was getting any lighter. But George, he put on a terrible look,
and began to say, "I'm the King of the Robbers, who's this yere
a-peekin' and a-spyin' in my den?" Then Sam called out, "It's me. I'm
the King of the Pirates, and I've come to take ye bound hand and foot to
my ship. Stand by, men!" "Men" was his brother Charlie, and they made a
dash at George. He danced and flew at them with a stick and called to me
to come and be his man and help him fight 'em off.

I was just running to do it, for it looked like pretty good fun, and the
rain was pretty hard, when somebody knocked the bottle with their foot,
and over it went into a heap of straw, and before the boys could race
back and put it out, the hay was on fire.

Oh, dear! I hope I never see anything like that again. We boys were so
scared at first, we couldn't move, and then, with a yell, the Crosscup
boys ran to tell their father, with me and George after them.

[Illustration: We all worked with hose and everything.]

We only ran a little ways toward the other barn, and then we found an
old bucket, and George yelled to me to get a bit of rope, and we
lowered it into the canal and ran back to throw the water on the fire.
But it was too little, and the fire was too big.

Farmer Crosscup came running with his hired man, and we all worked with
hose and everything, but the barn burned, all but the north wall, and so
fast that though George and I ran and ran for help, and though Mrs.
Crosscup telephoned to town for engines, it was through burning before
they got up.

After this, George had to go. Aunty Edith got him sent to a place for
colored children, where he could have fresh air, and some one to look
after him, but he had to go away from East Penniwell. The farmers said
he was "dangerous." I was sorry and Aunty May was sorry, too, but it
couldn't be helped. George was sorry, too, but at the last minute he
leaned from the wagon and whispered to me, "Anyway, I done proved dat
dere old fire engine wuz too slow."




CHAPTER VII


LEFT ALONE

After George went away, it seemed very quiet on the towpath. It grew
warmer and warmer, and the cherries got ripe and were picked, and I
climbed trees and played more, and had fewer lessons, because it was so
hot, and the little Turner girls came down to play with me sometimes,
because school was out. I went up and played with them sometimes, but
not often unless the launch came down, because it was a long way to walk
in the hot sun.

Mr. Taylor and me used to sit on his back porch, where it was cool, and
tell one another stories.

He told me some fine ones about the war, and when he was a boy. More
things seemed to happen to boys then than they do now, and I told him
so, and he laughed and said that was only because he was seventy-three
and remembered about them. He said that when I was seventy-three, "some
little feller'll think the same thing when you tell him about the fust
airship and things like that."

I laughed at me ever being seventy-three, but I suppose I will some day.
 The only fun we had before the letter came was early that very
morning, when Aunty May was sitting reading some clippings her editor
had sent her, with her back to the little cupboard I told about, that
was made out of an old window.

I came down the stairs from my room and stood looking at her, wishing
she'd look up so I could interrupt. But she didn't and I stood there
just as quiet for a minute, and wondering why I suddenly thought about
the pictures in my book on India. Then I heard a little rustle, and I
knew. Just above Aunty May's head, uncoiling itself from round a pile of
plates in the corner, was a big black and yellow snake.

I called out, "Hey, Aunty May! Quick! There's a snake behind you!" And
she looked up and said, "Billy, I'm not in the mood for playing."

[Illustration: Auntie May got a hatchet and made a chop at the snake]

I said, "Oh, Aunty, I'm not fooling. Quick, or it will land on your
head"; and she turned round and looked right at the snake and it looked
at her, and Aunty May gave a scream, and jumped away, and the snake
dropped down on the floor and commenced to wiggle behind the couch.

Then I tell you there was some fun. Aunty Edith came down just as Aunty
May got a hatchet and made a chop at the snake, but she never touched
it, and Aunty Edith wouldn't let me go behind the couch after him.

Mr. Taylor, who was coming along the towpath from the village (he
brought us the mail every morning), came down and asked, "What's up,
young feller? I heerd the wimminfolk screeching. What ye been up to?"

I told him I hadn't done anything. It was a snake. Then Mr. Taylor and
me pulled out the couch, but he wasn't there. We poked sticks behind the
pantry, but couldn't find him.

There was a big hole in the cement there, and Mr. Taylor said, "Sho, the
poor snake was more frightened than ye was, Miss May, and it's likely
he's down the river-bank by now." Then Aunty May and me told him how big
it was and what color, and he said, "I knew a couple of wimmin kept a
milk snake in their dairy for a pet. Maybe this feller wants pettin'."
Aunty May said he'd never get it from her, and she took a piece of tin
and a hammer and tacks and went to close up the hole, but Mr. Taylor
said, "Wait a minute, Miss May"; and he whispered to her, "Stand by a
minute. There's a letter here from the War Department to Miss Edith, and
I'm doubting it's being the best of news."

Well, poor Aunty May turned so white and sat down so quickly with her
face in her hands, that Aunty Edith, who came in the room just then from
putting the axe away in the shed, said, "Why, May, did the snake
frighten you as much as that?" Aunty May didn't answer. She just
clutched Mr. Taylor and said, "Where is it?" Then Mr. Taylor looked at
her and at Aunt Edith, and said "Sho" once or twice, and then he pulled
out of his pocket a long envelope, and put it in Aunty Edith's hands.

She sat down very quick, and tried to open it, but her hands shook so
that she couldn't. Aunty May took it from her and tore it open, and they
both leaned over and read it. Then Aunty Edith cried so for a while she
couldn't tell us anything, but at last Aunty May took my hand and we
went out on the porch, and she told us that Uncle Burt had got hurt in a
little fight--not a real battle, a "skirmish" with some natives, and he
was to be sent home on sick-leave.

Then she and Mr. Taylor talked about what the letter said, and he shook
his head, and told her it looked like a bad job to him. Aunty May told
me to go over and sit with Mr. Taylor while she talked with Aunty Edith.

Mr. Taylor and me sat there, not very happy, because I was thinking of
Uncle Burt, and somehow I couldn't make him sick or hurt, he was so big
and so very strong.

I said that to Mr. Taylor, and he said, "Them there guns don't care how
big and strong a man is, they picks 'em down. They're cruel things,
boy, firearms is. Don't you ever go a-monkeying with them, mind that." I
said I wouldn't.

We sat there so quiet that we could hear the Aunties talking, and Aunty
Edith crying every now and then, in the house. Aunty May wasn't crying,
but she seemed quite angry about something. I could hear her say, "You
shall take it, Edith, and you shall do as I say, or I'll throw it into
the canal." Then again, "What is the money to me if--" And then Aunty
May began to cry and Aunty Edith began to be soothing to her, and the
more she soothed the harder Aunty May cried, till I heard Aunty Edith
say, "All right, May, dear. I promise I'll do it, if you'll only
stop crying."

Aunty May stopped right away, and presently she came out, and her eyes
were red, but her mouth was smiling, like it always does when she gets
what she wants.

She came and sat down by Mr. Taylor and me, while Aunty Edith went up to
write out telegrams and letters, and told me that Aunty Edith was going
out to bring Uncle Burt home, and that she was going with her as far as
San Francisco; that while they were gone I was to stay at the Turners',
for she thought they would look after me for her, and would I be a good
boy until she came back?

I promised I would, but, oh, I felt awful, and I begged her to take me
with her, but she said she couldn't because Aunty Edith was so tired and
sorry, and she would have to look after her all the time, and I must
stay at home and be good and wait. She would come back for me, in a
little while, and we'd wait together for Uncle Burt.

So as long as Mr. Taylor sat there looking at me with his winky blue
eyes, I didn't dare howl or anything, but my! I did feel like it. So I
just said, "Yes, 'm, Aunty May, I'll be good." She kissed me right before
him. It was a little mean of her, but he looked the other way and said,
"Shoo, Teddy."

Then Aunty May said, "There isn't a minute to be lost, Billy, so come in
and pack your box, while I go across to the farmhouse and call the
Turners up on the 'phone."

I went into the house, where Aunty Edith was very quiet and packing very
hard; and I packed the big suitcase with some of my things, for Aunty
Edith said I could always get in the house and get the rest of them
any time.

Presently Aunty May came back and said, "It's all right. They are
dears. They are coming down for Billy, right away, and they'll take you
and me to the train. Do you think you can do it, Edith? We've just an
hour." Aunty Edith said, "Of course I can."

And then you never saw such a packing time. It made me so dizzy watching
those two Aunties fly around, that presently I went outside, and sat
with Mr. Taylor, who was on the front step, "Waiting orders," he said;
and didn't we just get them, though!

When Aunty Edith called, "Billy, the tags, please," didn't I just run!
and when Aunty May said, "Mr. Taylor, will you please help me with this
window?" he jumped around as though he was seventeen instead of
seventy-three.

By and by the launch came down, but a little late, so it was decided
that I was to wait with Mr. Taylor until they took the Aunties to the
train; and they'd get me on the way back.

[Illustration: I believed they had really gone away, and left me all
alone]

After a few minutes the trunks were in the launch, the house was locked
and Mr. Taylor had the key. The Aunties kissed me good-bye, and Aunty
Edith promised to tell Uncle Burt I was a good boy, and Aunty May said
she'd come back for me as soon as she could--and they shook hands with
Mr. Taylor and he said, "Sho, I gotter feed them Teddy-cats," and went
down the steps. Then they got into the launch and went off, and I waved
at them as long as I could see them; and then I sat down by the canal
bank and felt as if I couldn't bear it, for it wasn't till then I
believed they had really gone away and left me all alone.

[Illustration]




CHAPTER VIII


AT TURNERS'

Up at Turners' it was nice. They had a big stone house with lots of room
in it, and the girls, Charlotte and Grace, were nice to play with, and
Mrs. Turner always seemed to know what a boy wanted. She did pat me on
the head and call me "pigeon" sometimes, but then, she did that to Mr.
Turner, too, so I didn't mind.

At first I thought it was going to be so nice, that I'd forget about
everything till Aunty May came back, but by and by, though they were
nice as nice can be, I began to miss Aunty May till it hurt like a
toothache.

I missed Aunty Edith, too, but Aunty May and I had played most together,
and next to Uncle Burt, I loved her best.

The Turners had an old ruined mill on their grounds, and we children
used to hang our bathing-suits in there and use it to dress in when we
went swimming in the creek.

It was very old, and all the machinery, the wheels and things, were made
of wood. Up in the top there was a nice big loft, with a wide window,
where nobody ever went. When I found this out, I took a broom up there
and swept it by the window, and got an old chair, and one of the old
barrels for a table, and when I didn't want to play with Charlotte and
Grace, or when it rained, I used to get a piece of bread or cake, or an
apple, and go off there, all by myself. Sometimes I read, sometimes I
wrote books and drew, and sometimes I just sat and thought about Uncle
Burt and Aunty May, and Aunty Edith. And it got nearer and nearer the
time for Aunty May to come back.

The very day that she was to come home, I was doing this, thinking
about her, I mean--a little harder than usual, because Mr. Turner had
told me at breakfast that after all Aunty May wouldn't be back till
to-morrow, when I heard somebody else breathing in the room. I turned
around, and there was Henry, the Indian boy from the Carlisle School,
sitting crouched on the floor.

He was a great big boy, fifteen or sixteen, and he helped with the work
in the house in the summertime. Henry was always nice to us children,
and we liked him a great deal.

I said "Hullo, Henry, what are you doing in my library?" And he showed
all his teeth at me and said he was doing the same that I was doing
there; he had come up to be sad and alone. Then I told him all about
Aunty May, and he was sorry for me, and he told me about the school, and
the teachers, and football, and his people, and I was sorry for him.

Then he told me that when he got very sorry about everything, sometimes,
he just dressed himself and got out of his bed at night and walked and
walked until he got tired, and then came back and slept.

He told me how lovely everything looked in the country, early in the
morning, and I told him I'd like to do that, too, some morning, but how
did he get up without waking people? Then he showed me how he could move
in his stocking feet and no one could hear him. And it was true. If I
sat with my back to Henry I would still think he was sitting back of me,
when he was over by the door, really. So I practiced that, too. "Playing
Indian," he called it; and he promised next time he had that feeling,
he'd throw some gravel at my window, and I could come down.

[Illustration: I told him all about Aunty May]

I asked him how soon he thought it'd be, and he looked at me very long,
and then, just as somebody called, "Henry, where are you? Come and take
the canoe out," he leaned down and whispered in my ear, "To-night,
be ready."

Well, I could hardly eat my supper for thinking of it, and I went to bed
so quickly and quietly that Mrs. Turner called me "pigeon" and patted my
head, because the little girls didn't want to go and were a
little noisy.

After I got into bed and was just falling asleep, I did just for a
minute think I should have asked Mrs. Turner if I could go, but
honestly I never thought of that till then, because Aunty May wasn't
there. I would have thought of telling her. Anyway Henry had told me not
to tell, and I didn't know whether he meant just the children or not.

Well, I stayed awake a long time, and got up softly and dressed again,
and then I stayed asleep it seemed to me just a teeny while, when a bit
of grass and gravel hit me on the nose.

I woke up and more came flying through my open window, so I got up
softly and kneeled on my bed, and there was Henry down on the ground,
looking up at me.

When he saw me he put his finger to his lips, and sent a big piece of
clothes-rope flying through the window on to the bed, all without
a word.

Then he shaped with his mouth to use that and not the stairs, for the
stairs were creaky.

So I put the noose at the end over my bed-post and held on tight, and
slid down, without a bit of noise, to the ground, where Henry caught me.

I came down so fast it hurt my hands, but Henry washed them with water,
at the well, and tied them up, all without speaking, and we went softly
out of the yard, not toward the towpath, but up the long road over
the hills.

It was very early morning, about three o'clock, and everything looked
lovely.

[Illustration: Slid down without a bit of noise]

When we got far away from the house, I asked Henry if he wasn't hungry,
and he shook his head, no, but gave me a Uneeda biscuit out of a box,
and I ate three or four, and all the time he was walking on in the nice
soft light, without saying anything.

Presently we got to the top of a hill, and Henry stood still, and so did
I. There was the sun coming up and making all sorts of lovely colors
on the sky.

When we looked at it a little while, Henry said, "How does the little,
lonely boy like walking in the morning?" and I said, "Fine."

We walked on, and sometimes Henry didn't say anything, and sometimes he
whistled, and sometimes he talked to me about Carlisle and football,
and out-of-doors and things like that, and I had a lovely time and
didn't notice how far away we were getting.

At last the sun came up all the way, and I said, "Oh, Henry, we'd better
get back now, for Mrs. Turner will miss us and not know where we are."

But Henry threw himself flat on the grass,--we had sat down to rest a
minute because I was tired, and didn't say anything at all for a
long time.

Then he lifted his head and his white teeth showed, and his eyes smiled
at me, and he said quite softly, "I am not going back."

Oh, how queer I felt when he said those words. Maybe it was as Aunty
May said, because I hadn't enough breakfast in my insides, but
everything went round like a clock for a minute, the sky, the trees, and
the strange road, and the strange houses, and then I said in a funny
voice, "Oh, Henry, you don't mean that."

He said, "Yes, I am tired of everything there"; and he pointed down the
road we had come along. "I am going back to my own people; back to
the school."

Then he offered to take me with him, and to carry me part of the way, as
I was little and got tired too easily to keep up with him. But though
he was kind, and I wanted very much to go with him, and not be left
alone, I couldn't, because I remembered this was the day Aunty May was
coming home; and now, what would she and the Turners think of me!

I was so sorry that I was pretty near crying, except that the Indian boy
was looking at me with his bright eyes, and I remembered that Indians do
not cry, and would think me a poor kind of a boy if I did.

So I just shook my head, and told him I must go back and meet Aunty May.
He didn't like this, until I had promised him that I would only say he'd
left me and had gone on to Carlisle, and I would not say where he'd
left me, so that he'd get a fair start. But I didn't like to say even
that for fear I'd have to tell what wasn't so, until he told me it was
all right, because I didn't know where we were, and he wouldn't tell me.

He told me he liked me very much and was sorry I wouldn't go with him,
and he divided the crackers and told me to sit still and not look until
I had counted 100. I did, and when I'd finished there wasn't any Henry
to be seen.

I ate a cracker, and started back down the road again, and now everybody
was up and I met men on the roads and dogs barked at me, and oh, how
long the road seemed!

I went on and on till I thought I should fall down, and I was so thirsty
I didn't know what to do.

By and by, I came to a place where there was a toll-gate, and then I
knew I was lost, for we hadn't passed any on the road coming up, and
besides I hadn't any money.

So I stood still and tried to think, but I felt hot and tired and my
head went round a little. Then I thought I'd go to the back door of the
tollhouse, and then maybe some one would tell me how to go and they
wouldn't have to feel so badly about telling me I couldn't get through
without any money. So I went round to the back yard and there was
nobody in it.

Then I went up to the kitchen door and knocked and nobody came, but I
heard a little voice at the kitchen window say, "Hey, boy, what do
you want?"

I looked and there was a little boy, just about seven or eight, sitting
in a chair by the window, and I came up to it, and called to him--"I
want to know the road to East Penniwell, and I want a drink of water."

At first he just shook his head, and then he opened the window, and
said, "Hurry up. We got diphtheria here and nobody's allowed to speak
to me. That's why the tollhouse is shut up. Ain't you 'fraid?"

I said, "I don't know what it is, and I'm awfully hungry and thirsty and
I want to know the road to East Penniwell."

"Well," he said, "poor boy"; and handed me out a glass of milk and a
piece of bread, and I was drinking the milk, when I heard some one yell
at me. It was a man running up to the house, and the boy grabbed the cup
away and said, "Here comes Pop. You'd better leg it." I ran as fast as I
could out the gate and down the road he told me to take. The man didn't
chase me far, and I didn't hear what he said, his dog barked so. But I
didn't feel quite so tired, though I ached a lot still, and my feet were
awful wet, through running right through a brook when the man called
at me.

I went right on. Sometimes I lay down under a tree, sometimes I sat down
by the road.

I don't see why a road that seems all right when you're going up it,
seems so terrible when you are going down. But maybe it's because I made
wrong turnings, and always when the men asked me if I'd ride with them a
little ways, I said, "No," because I would have to tell them I belonged
at Turners', and they might ask me about Henry, the Indian boy.

Last I took a turning that led me farther and farther down a road I
never remember seeing before and there were no cross-road places; no
farmhouses, and no man came along on a wagon. I just had to keep on,
feeling sicker and sicker, till, just as I made a short turn, I came out
on a road that led to Crosscup's farm and Rabbit Run Bridge!

My, wasn't I glad. But I wasn't going to Crosscup's house, not much! I
knew what I'd do now. I'd get Mr. Taylor, and tell him, just as fast
as I could.

That wasn't very fast, because my feet had needles in them, and
dragged, but by and by I got there, and knocked at the door. Mr. Taylor
opened it, with all the cats around him. I just began to speak, and say,
"Good-morning, Mr. Taylor," when everything got kind of black and hazy,
and I didn't remember any more.




CHAPTER IX


THE WHITE TENT

[Illustration: I woke up and found myself lying on the porch]

I didn't remember anything, until I woke up and found myself lying on
the porch, and Mr. Taylor bending over me with a glass of water in his
hand, all the Teddy-cats purring at me, and my head on somebody's lap.
Mr. Taylor was saying, "Sho, I guess he's coming to, and ye'd better not
let him see ye, jist at first"; but I turned quick before she could
move, and grabbed her and said, "Oh, Aunty May."

I thought I'd shouted it, but it sounded just like a squeak.

Aunty May didn't care. She just lifted me up in her arms and held me
tight, and said, "Oh, Billy, how could you run away from me?"

It took me the longest while explaining to her and to Mr. Turner and to
Mr. Taylor, who didn't say anything but "Sho" and shoo the cats, and
never looked at the others. But I knew he'd hear every word and remember
it, if I didn't, so I told them exactly what happened. How sorry Henry
was to go away, but that he had to, and that I didn't know where the
place was that we'd parted at, and how I thought he was coming back when
we started.

Mr. Turner said it was all right, that Henry was an honest, industrious
boy, but he had fits of homesickness, though they had never known about
his getting up early and walking.

Aunty May forgave me, and Mr. and Mrs. Turner forgave me too.

Mrs. Turner was in the launch, and was just telling me to jump in and
come up with Aunty May to dinner, when Mr. Taylor, who had been
listening and not saying anything, said, "I hope that wasn't the Lateeka
Toll-House ye stopped at, young man. I heerd say there was so much
diphtheria and scarlet fever there that they hev closed the tollhouse."

Then I remembered what the boy had said, and I had to say it to Aunty
May, and Aunty held me very tightly for a minute, and said to Mrs.
Turner, "No: it wouldn't be safe for the other children. I'll keep
William down here, until we see if it develops."

Then both the ladies nodded to each other very sadly, but Mr. Turner
said, "Oh, he's a young husky. He'll be all right"; and they went away.

But I did develop. So much, that Aunty May had a sign put on the house,
and nobody came near us for weeks and weeks but the nurse and the
doctor, and Mr. Taylor, who used to hand things over the fence. And oh,
how tired I got of being in bed, and being sick. Then when I got a
little better, Aunty May and the doctor had a big tent put up in the
woods near us, and the nurse went away, and Aunty May and I lived in the
tent together, and I started to get better and write this book.

First, just a little at a time, and then by and by a good deal each day,
and all the time Aunty May stayed with me, and never said I was naughty
or anything. Just called me "Billy-boy" and spelled all the big words,
and took care of me like I was a baby, because I was so weak.

One day, when I had sat up all day, dressed, I thought Aunty May looked
kind of excited, and I saw a letter sticking out of her pocket, and I
asked her if Aunty Edith was coming home, and she said, "Yes, very
soon." She smiled so that I knew it must be something nice, so I clapped
my hands and said, "Then Uncle Burt's all well again, too." For every
time while I was sick, when I asked about Uncle Burt, Aunty May would
say, "He's much better, but we mustn't talk." I had to be patient and
wait then, but this day I said, "Oh. Aunty May, he is really better,
isn't he?"

Then Aunty May laid down her letter and came and sat down by me and
said, "Billy, how would you like to hear about Uncle Burt to-day?" and I
told her, "I'd like to." Aunty May told me then that Uncle Burt had been
shot very badly in the leg, and that he had a fever beside, and had
been so ill that they thought he would die, but that Aunty Edith had
gone out there and taken such good care of him that he was better, and
was coming back with Aunty Edith. I asked for how long, and Aunty May
got a little sad and said, "That's the hard part of it for Uncle Burt,
Billy. He won't ever be able to go back to the army again. His leg is so
badly hurt that he will always be a little lame."

Then Aunty May burst out crying, and so did I, for it seemed hard that
big, splendid Uncle Burt should be lame. By and by Aunty told me that
he had got the hurt when he turned back to help one of his men who had
been shot; that even though he was hurt himself, he brought the soldier
back to camp; so I ought to be proud of him.

But I was anyway, I told her. I couldn't be any more than I am. I knew
Uncle Burt would do a thing like that. I just expected it of him. But
I'd like to kill the man who hurt his leg.

Aunty May told me not to say that, for the poor thing had been killed,
and she said, "War is a horrible thing," And I said, "Yes, 'm, but it
wasn't a real war, only a skirmish"; and Aunty May said, "It was real
enough for that poor wretch and for Burt."

I said, "But Uncle Burt'll find something else to do, some other way to
be splendid, won't he?" And Aunty May just nodded her head, and we
didn't say anything more for a long time and I lay still thinking about
Uncle Burt and wondering how it would seem to be him, and lame. I said,
"Will he use a crutch?" but Aunty May didn't know. She hoped not. And
now, would I please get well, and be ready for her to hand me over whole
to Uncle Burt.

I said I would, but she'd have to be handed over too, for Uncle Burt
told me to take care of her for him.

I got better, and so did Aunty May. As fast as I grew better, she got
more cheerful, and we used to have lots of fun. But all the time we
stayed in the tent, and never went to the house. I used to hear
hammerings and things, but I never saw anything, because I wasn't
allowed to walk yet on account of the anti-toxin. I don't know whether
that word is spelled right, but I don't like to ask Aunty May, it always
makes her pale when I say the word.

One day, Aunty May brought a boy down the path with her. A mule boy. I
heard the mules waiting for him outside, and it was the "cap and eel"
boy, and he said, "How are you, young feller? Heerd you was sick!"

"Who told you?" I said.

"The Mushrat," he said. "He came a-whooping and a-running up the canal
one night, an' hollered to me in passing that he wasn't going to bring
no pitcher-books back to no diphtheria sore-throaters. Kina cowardly
fellers, them mush-rats, so I brung it myself. Say, when ye going to get
up and paste me?"

"When you put those turkey-red trousers on your mule," I said.

And then we both laughed, and Aunty May give him another picture-book,
and some fruit, and asked him to come again, and he promised, and I lay
back and heard his mule bells jingling up the path. It seemed so nice
and peaceful, and everybody was so kind to me, that I felt lumpy inside,
especially when I thought of Uncle Burt coming.

But would he be angry with me for bringing germs to his house, and right
close to Aunty May? I asked Aunty May what she thought, and she said
Uncle Burt would agree with her that I really couldn't help it, and that
he wouldn't blame me, especially if she handed me over all right.

So we went to work on jellies and things and tried to get well, as fast
as anything before he came.

One afternoon Aunty May said to me, "Billy, I think you're strong enough
to go back to the house now. We've got rid of all the germs and the
sickness in this nice big white tent, and now, my little soldier, we'll
go back to barracks and wait for our Commanding Officer."

We packed up my books and papers and went down the path to the house,
but it wasn't the same house any more.

It was bigger, and all around it ran a wide piazza, and on it were big
wicker chairs, and Aunty May put me in one of them, and asked me how I
liked it. And I said it was lovely, and it was. Inside there were more
rooms than before and a bathroom with a big shiny tub and running water,
and while it was a country house still, it was much more like a
city house.

Aunty May said, "Do you think Aunty Edith will like it?" and I said yes;
then she said, "Do you think a sick soldier would like to get well on
this piazza?" and I said I knew he would. It was the finest ever.

We took hands and went around and looked at everything, and then we set
the table together. Aunty May wouldn't let Mrs. Katy Smith, who had
come to help, do a thing to the table. We set it for four people. So I
said, "Is company coming to dinner?" Aunty May hugged me and said, "Yes,
Billy, but it's a surprise. Don't ask." But I kept guessing,--Charlotte
and Grace Turner, and Mr. and Mrs. Turner, and everybody I knew in East
Penniwell, and Aunty May said, "You're cold. You're cold."

Just then a carriage stopped at our door, and Aunty Edith got out, and
then a thin pale man got out, and he carried a cane and leaned on Aunty
Edith, and he came into the room: And IT WAS UNCLE BURT!

[Illustration: And it was Uncle Burt]

I gave such a yell that Aunty Edith looked frightened and Aunty May
threw her arms about me and said, "Oh, Billy dear, don't get excited.
It's bad for--" But Uncle Burt said, "No, it isn't. It's good for me."
And he went to hug me, but Aunty May hadn't got her arms untwisted from
me yet, so that he hugged both of us. He didn't seem to notice it at
all until I pointed out to him that it was me he wanted and that he was
kissing Aunty May, and he said, "Dear me, you don't say so"--and kissed
her again. Then he kissed me.

He sat down, and Aunty May and me went and stood by him. That is, I
stood by him and leaned on his well knee, and Aunty May kneeled down and
put her head on his hurt knee, and he didn't seem to mind it at all. He
put his hand on her head and smiled over to Aunty Edith, and she came
and said, "Come, Billy, show me the house."

I said, "Yes, Aunty Edith, but first I want to give Aunty May back to
Uncle Burt. She's all right, the germs didn't hurt her, though she got
quite thin taking care of me."

"Did she, poor girl," said Uncle Burt.

Aunty May lifted her head up and said, "And Billy's all right. I took
care of him,--for you."

Then Uncle Burt smiled at us both. His old smile, though he was so
dreadful thin and pale. He said, "Well, and now I've come home to look
after you both."

I showed Aunty Edith the house, and she told me all about her journey,
and how long it took her, and how sick Uncle Burt was then, and how
much better he was now; and that though he would always walk with a
limp, he wouldn't need a crutch,--which made me very glad.

Then Uncle Burt and Aunty May came in, and Aunty Edith kissed Aunty May
and they went to take off Aunty Edith's hat.

Uncle Burt let me take him to his room, and he told me, while I fished
out a handkerchief for him and brushed his hair, that Aunty May was
going to marry him and be my real Aunty, and I was to live with them
both for always.

So this is a good place to end W.A.G.'s Tale.

THE END









End of the Project Gutenberg EBook of W. A. G.'s Tale, by Margaret Turnbull

*** END OF THIS PROJECT GUTENBERG EBOOK W. A. G.'S TALE ***

***** This file should be named 9844.txt or 9844.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/9/8/4/9844/

Produced by Juliet Sutherland, Rebekah Inman and the PG
Distributed Proofreaders


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.